I agree the the term 'too hi fi' cannot be understood if taken too literally. To me, it means certain incidental sounds in the recording, be it studio or live, come to dominate or distract from the notes and rhythms of the instrument or voice.
Some find it exciting to hear every cough from the audience in a jazz cafe, the louder squeak of calloused fingers on a fret and string, the hum of feedback in a guitar amp in the studio, the sound of rosin on a bow drawn across a string, the gasping in-breath by a singer etc. I've heard systems where these non-musical (in my opinion) incidental noises can be magnified artificially at the expense of the music; that which the composer intended.
Those who delight in such effects, feel they bring a sense of 'realness' to the recorded performance. They are welcome to them, of course.
That is my working definition of 'too hi fi'
cheers,
-paul-
Some find it exciting to hear every cough from the audience in a jazz cafe, the louder squeak of calloused fingers on a fret and string, the hum of feedback in a guitar amp in the studio, the sound of rosin on a bow drawn across a string, the gasping in-breath by a singer etc. I've heard systems where these non-musical (in my opinion) incidental noises can be magnified artificially at the expense of the music; that which the composer intended.
Those who delight in such effects, feel they bring a sense of 'realness' to the recorded performance. They are welcome to them, of course.
That is my working definition of 'too hi fi'
cheers,
-paul-