Ndeslions,
The technical term is a "scooped midrange' - it has been extremely successful in high end audio. Add a metal tweeter and you can often achieve an "etched" sound.
If you are after timbral characteristics more than a wow soundstage, ambience or atmasphere then try to audition a Harbeth or ATC speaker. Internally damped drivers like pulp paper cones or polypropylene or doped fabrics seem to work well at preserving the timbral information on the recording - these are all very old as the hills type speaker designs. I am not a fan of newer metal or ceramic cones (often ringing issues) unless you go for the best designs like accuton. Because of the preponderance of two way designs with 6" woofer/mid drivers the midrange scoop is the most common sound from speakers today (a large cone will tend to beam in the midrange leading to a midrange scoop and an emphasis in upper mids and air when you listen far field).
I may be barking up the wrong tree but this is likely part of your problem.
To get that focus and air hifi components cheats, it's all in the meds and high meds, a bit less meds, a bit more high meds and you get the details, the air, the focus BUT you loose timbral accuracy, fullness.
The technical term is a "scooped midrange' - it has been extremely successful in high end audio. Add a metal tweeter and you can often achieve an "etched" sound.
If you are after timbral characteristics more than a wow soundstage, ambience or atmasphere then try to audition a Harbeth or ATC speaker. Internally damped drivers like pulp paper cones or polypropylene or doped fabrics seem to work well at preserving the timbral information on the recording - these are all very old as the hills type speaker designs. I am not a fan of newer metal or ceramic cones (often ringing issues) unless you go for the best designs like accuton. Because of the preponderance of two way designs with 6" woofer/mid drivers the midrange scoop is the most common sound from speakers today (a large cone will tend to beam in the midrange leading to a midrange scoop and an emphasis in upper mids and air when you listen far field).
I may be barking up the wrong tree but this is likely part of your problem.

