Silverline Sonata III & McIntosh MC275?


I am planning to upgrade my speakers and I am just wondering if this combination works?

I currently have the Sonata I now and the C-220 / MC275 combo works quite well with them. Haven't seen much of the McIntosh & Silverline combos around. I heard that the Sonata III are totally different than the old Sonata I. What are the sonic-differences in between them two? I researched and researched and was so discouraged just because I haven't found any info with a system which consist the two, or even a person who tried this combo... Would like to get some advice before making the purchase. Thanks!
infinity_audio
Jim, In defense of Tvad, although he has his own voice and can speak for himself, this thread is getting a bit long. Now I'll make it a bit longer rather than hear you guys wrangle.

In my opinion Tvad has exacting expectations (don't we all!) and the level of bass resolution with tube amps, at least the ones he tried, were not up to his level of expectations. Thats all.

None of us have definitive opinions about anything. Faced with the alternatives between the III's and the Bolero's I picked the Bolero's because they did what I wanted speakers to do using tubes. I doubt that either of you would be happy with them no matter how they were driven because we have very different expectations. If I had been confident that the III's might have sounded good (to me) with tubes I might have given them more consideration. But I guessed they wouldn't and I just didn't want to have to use SS amps, even Pass's (or according to my preferences, some of his old Threshold SA series amps).

I think what the OP should draw from this is that the III's are like a fine instrument, their sound is greatly affected by the choice of amps, and while they may be a much better speaker than the I's or II's he will have to be committed to finding the right amps to drive them, and hls Mac may or may not be the right amp for him. If he is not prepared to change it out he should either learn to be happy with what he has (my first choice, because he already is happy) or pick a speaker which may not be so critical of its source.

FWIW.
newbie..
understood

I reckon then I'm a lot easier to please than T... or got very very, lucky with the amp choices I made. Six one way, half dozen the other I suppose.

Either way, it is the buyer's choice to do with things as he or she sees fit. I'd sure not have gone thru all those itterations Tvad did. I know that much, and would have just sent them to Alan instead.

I'm sure sorry if I've acted adversarially here. I just like what I am getting from my own deal overall, and have had no such problems. Too, I've long since given up on attaining perfection in an imperfect world.

That path leads me to much greater ese and enjoyment way more often than not...

Thanks new...
For the record, I tried only four amps with my Sonata III: VAC 160 Musicblocs, Atma-Sphere M-60, Belles and Pass Labs.

The Belles and Pass Labs amps produced the best bass in terms of definition, clarity and control.

I have visited Silverline Audio at two CES shows. Each time, Alan has demonstrated his speakers using Pass Labs amplification. I imagine he endeavors to have his speakers sound their best at shows, and he uses the amplification that provides the sound he desires. What else need be said?

I've done nothing but offer my experiences with the Sonata III speakers using PP and OTL tube amps and solid state amps. I've not criticized anyone else's choices. We all hear differently and have different preferences. Why my balls are being broken here, I can't quite understand.
Can I ask you Silverline experts a related question? I have heard it said that in general, the speakers need room placement well away from rear or side walls. If so, I can not accomodate them. About 2ft in front of CD racks is the best I can manage. Has anyone any views on this? thanks
I haven't found the set up of my Silverlines any different that any other similar full range dynamic speakers I've used. They all worked a couple of feet from the wall behind them, the bass was a bit uneven, and the soundstage depth was compressed. I love my speakers and if I had no alternative I would move them back rather than replace them.

But would I have spent all that money on a high resolution speaker in the first place, probably not. I'd have lowered my expectations and gotten some less expensive but good quality speakers like Spendors. FWIW.