Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Alex, as always, a thoughtful post. We have absolutely no disagreement. I have no issue with your attraction to the tone of a player and I completely understand not liking the sound of electric instruments. The reason that I enjoy dialoguing with you is that not only do you "leave the door open" for yourself, you do not insist that someone else’s door be shut. While I would encourage you to keep that door open, I assure you that I would have no issue if you were to decide to close it. The difference, of course, is whether there is respect for the other viewpoint. That process is what has caused discord on this thread unfortunately.

Tone and its importance in the scheme of things is such an interesting thing. I mentioned in my previous post Jackie McLean; brilliant jazz player. However, perhaps because I play the same instrument, I hate his "tone"; it is rough, ragged and not very refined. However, I love his jazz playing. The often mentioned Wynton Marsalis has a tone on the trumpet that is amazing; to die for. Yet, I don’t like his playing. A very personal thing; as it should be.  As you say, no reason that there cannot be a healthy exchange of ideas.

Patience? I’m still here. Regards.
Actually Frogman played Saturday Dance off the same recording, not the one I played. I don't see another poster of that.
Is this fusion? or is it jazz??
(please pardon the interruption by a non-attorney spokesperson)


Lyle Mays (self-titled) 1986 Geffen Records
1 Highland Aire
2 Teiko
3 Slink
4 Mirror of the Heart
Alaskan Suite:
   5 Northern Lights
   6 Invocation
   7 Ascent
8 Close to Home
Alex, that was a great post.  Tone is debatably the biggest consideration for all professional musicians, at least those that play acoustic instruments.  Classical musicians in particular have to be able to play with extremely wide variations of tone color, though to a trained ear they will also always sound like themselves.  One of my old-school teachers said something that I agree with myself and tell my own students - no matter how well you can play the instrument, who will want to pay to listen to you if you don't have a good sound?  

I am much like you when I am listening for pleasure (as opposed to for study) - I simply won't listen very long to someone whose tone I don't care for.   And I'll let you in on a little secret - I generally have a dislike for the sound of electronically produced music.  It just doesn't have the life that acoustic music does, for me, no matter how well done.  It always sounds a little dead, or metallic, in comparison.