Active studio monitors anyone?


Due to the unavailability of a full size Man Room and a sub par Living Room area I have started to seriously consider Active Studio Monitors as my listening room will be in a converted Office that are so prevalent in the newer Suburban House Floorplan.  There seems to be MANY benefits in going active monitors set up in the near field to mid field. Active DSP, No passive crossovers, Plenty of room acoustic adjustments, some with onboard DACS, Some full digital domain till it reaches the drivers, Near full range And ruler flat responses. I have narrowed it down to a few that fit my needs and would greatly reduce the boxes and expense. A good streamer, optional DAC and Pre with active monitors would be the whole kit.

One Im looking at are APS Klasik which will be coming out with a HiFi model of the Klasik Studio Monitor differing by a vinyl or wood wrap of your choice, stand by power on/off, and Grill covers. This is highly regarded for Mixing and MAstering it also looks more like a hifi speaker than a monitor.

Nubert Nupro A300 which look great and is fully digital to the drivers so a high end streamer and the speakers would be the whole system. 

A few from Focal and Dynaudio 

Presonus Sceptre s8 has a great DSP and a Coaxial.

These are just the highly regarded less than 2K offerings and many like the EVENT OPAL, Focal Trio, neumans, ATC and Geithain would be something to look at on the high end if it really works out and even those would be bargains considering how much you would be saving in amps, high end cables, ect.
dcfis
Yeah, I have hundreds of those recordings made by 'studio people', there is so much garbage in there. Unless they do it on purpose, well, shall I say more?
inna please do not bring non sequiturs and negativity into a thread you have no interest in. 
Active monitors by design definitely less compromised than passive. The issue probably is they are inflexible in the way that they need to be partnered with balanced preamps in most cases. Secondly one cannot play around with amplification for voicing (which audiophiles hate). Finally there are not as many choices in the active domain as in the passive because that is where the money lies. 

Since active speakers are intended for studios they possibly assume room correction and acoustics already in place which most domestic setting would not have.

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