@acman3 -
...and for the Matthew Stevens recommendation.
...and for the Matthew Stevens recommendation.
Jazz for aficionados
Frisell: real brass all the way. Alto saxophone, trumpet and trombone. What’s really cool about the way he used the brass is that he voiced the brass chords in a similar way as a guitar player would play those chords on a guitar. Notice how similar the sonorities of those brass chords are to those of the strummed guitar chords. Don’t know for a fact, but I would bet that it was Frisell who wrote the horn arrangement. |
Ah...okay, Frogman. I’m thinking it might be the breathier reed sound of the sax that I picked up on. Didn’t realize one was in use. I heard a softer leading-edge texture and that's what made me think a synth had been used. While I don’t know enough music theory to fully appreciate your explanation of the chord voicing, I think I DID actually notice it without understanding the "why". At one point, Frisell’s guitar comes out of the mix to solo and I realized it had been there all along playing chords (prior to soloing) pretty much in unison with the "horns" [what do you call it when it’s a mix of sax, trumpet, trombone?] Might be the person I admire most in any number of musical endeavors: THE ARRANGER. So often they are the ones that bring the magic. Orpheus - How about some links to rehearsal videos? Show stuff being hammered out...who does what, who plays what, etc., etc. (apologies if it’s already been mentioned and done to death here). |
Finding old jazz rehearsal videos might be tough. Did find some interesting stuff while looking. Probably already known to the regulars here... https://www.youtube.com/watch?v=K0sru1t6YpE&ab_channel=Milestones:AMilesDavisArchive https://www.youtube.com/watch?v=BOJj4YXWPLI&ab_channel=J%C3%BAlioPimentel |
Ghosthouse, no, it hasn't been done, and Frogman would be the person who could shed light on the subject. During the time I was in close contact with a jazz musician in 69, he never rehearsed or held rehearsals. The first set I witnessed; him, and what's called "pick up musicians" gathered about an hour before the set, and discussed what was to go down. I listened intently, but understood nothing. Professional "hard bop" musicians have a language that only they understand. Since he was a friend of mine, I was really nervous before the set kicked off; "Ain't no way this is going to come out right" was racing through my mind, because this was a hard bop audience, and the place was packed. That was a memorable set, and it went as he knew it would; the musicians played as though they they had been doing it for a lifetime. Enjoy the music. |