@lewm,
Thanks for clarifying that not all 6SN7 *types* are identical. I was merely trying to assure him that he wouldn't be applying plate voltage to the grids or heaters. Electrical variations (as I mentioned) do vary from tube to tube. Of all the 6SN7 types there's only one to be leery of and that was a mil-spec RCA VT-231 that pulls significantly higher filament current and could stress the x-former tap.
Yep, it's important to find the tube's idea point on the curve, which depends on your circuitry. I (and the design used in VTA/Tubes-4-Hi-Fi gear like about 45% for the 6SN7s I use but it's not a magic number. I sure wouldn't go much above 65-70% for such a low Mu tube.
If John Bedini could build the "near perfect sounding" amp out of sand components 30 years ago, I am sure there are ss pre-amps and pwr amps out there I'd like better than my tube lash-up. But as you say, most of the new stuff has crap fail-safe circuitry and cheap parts. Even on the tube side a lot of very expensive production gear uses junk. Why McIntosh went with the EH tubes in their driver section I'll never understand, when for a few bucks more . . .
As to s/s vs. tubes, that horse has been beaten to death. Whether tubes or s/s, the sound is going to be far more flavoured by preamp components and the amp's driver section than the honkin' amp, at least according to the all-knowing myself :-), and might be worthy of a thread if there ain't one.
Cheerio,
-d-