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Tekton Double Impacts

Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
charles1dad's avatar
charles1dad
6,996 posts
 
Teajay,
Given the 1 watt power limitation of the Micro ZOTLhow does it present complex symphonic orchestral music? I could imagine that with acoustic jazz (what I listen to 90 % of the time) it could be pure organic bliss. This suggests that a high quality SET of 6 to 10 watts may be a very viable option.  I'm surprised that the DI is so easily driven given its 4 ohm nominal impedance. 
Charles
mac48025's avatar
mac48025
613 posts
 
Thanks for the update teajay. Like Charles I'm surprised the 4 ohm DI's could be driven by 1 watt. I'll have to give it a try though. I find my 24 watt Decware to sound sublime for 95% of my listening but crave more volume for live recordings. Guess I could use the micro-ZOTL for most of my listening and either switch to the ZOTL 40 for those times I want more volume or forgo the ZOTL 40 all together and use my SS theater system for louder volume listening. Using only the micro-ZOTL would save me enough money for some sweet NOS tubes for it. This hobby never seems to lack for options!
teajay
1,333 posts
 
Hi gentlemen,

If you think you guys are surprised, just imagine my shock at hearing this the last couple of days!

As far as playing "complex symphonic orchestral music" how about Copland's "FANFARE FOR THE COMMON MAN" at over 100Db with prefect clarity and room pressuring bass/dynamics or Radiohead's ARNESIAC with my very large room being shaken because of the bass lines.

So, mac48025 I don't know how loud you like to play certain music, but for me the Micro-ZOTL provides as much volume I need on all types of music.  I agree with you Charles all types of SET/low watt amps would work wonderfully with the DI's.  Mike is going to try his Concert Fidelity 300B amp in the next couple of days.     


mac48025's avatar
mac48025
613 posts
 
Color me shocked......but I'm ordering a MZ2-S soon along with some NOS Tungsol Black Oval Plate 6SN7 tubes. Over 100 db? That's much louder than I need. Can you imagine a reference level pre/amp/speaker system for less than $6K total? Hopefully my PS Audio Perfectwave transport and DAC will suffice as reasonable good to get the most from the micro ZOTL/DI combo. 

Thanks again for sharing teajay, this is exciting!
charles1dad's avatar
charles1dad
6,996 posts
 
This is a very intriguing discussion. Mac says his 24 watt Decware falls a bit short reproducing certain live recordings and believes more amp power would be beneficial.

Teajay achieves 100 db SPL (That’s cleanly delivered) from a (signal tube not your typical output power tube) 6SN7 !!! This occurring in his large listening room. What is going on ? I don’t doubt teajay’s findings but this is a quite unusual situation. Can a stout power supply account for   "all"  of these findings? 
Charles
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