Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
I suspect there’ll be a price to pay for voicing that particular form of critique, Mr. F. ;-)
though I find it way more palatable than some of the outrageous non-music-related social commentary I saw posted over the last couple of days!

I tried Kamasi Washington’s "Epic" a while ago. It’s HUGE...17 tracks and less than 7 minutes shy of 3 hours long! I was attracted by the album art to begin with. I wanted to like him...looked to be someone with a fresh vision. Or maybe just a retro-vision I could relate to. I can’t begin a credible technical assessment of his music skills and can only say, he didn’t hold me. I soldiered on through probably the first 2 discs. Certainly didn’t make it all the way to the end. The virtue of self-editing came to mind and lack thereof in this instance. I wondered what the producer was thinking - but maybe the length is part of the marketing. I won’t presume to rip the guy but "Why" is something else that kept coming to mind as the track time mounted up. Never did go back to listen again. Maybe I should.

The Pitchfork Review: something of a counter to Frogman’s comments (not that I’m taking sides...really not) providing a little bit different perspective
http://pitchfork.com/reviews/albums/20557-the-epic/

Revisiting...I forgot about the Star Trek Singers.  



Pryso, you are so correct; that was a result of my laziness (or tiredness) I just requested a list from google.

I still stand by Pettiford because I was thinking exclusively of the instrument. When you include all of Mingus's talents, he is head and shoulders above anyone else who plays bass, and that's for certain.
Great head cleaner, ghosthouse; and one of the greatest debut albums in all of jazz.  One of my favorite records.  Re the Pitchfork review:

Well, I guess I could simply point out that when going to their website I find that the first six "latest reviews" are of Shabaka Palaces, Sheer Mag, Yoko Ono, Integrity, Waxahatchee and Moon Diagrams.......Yoko Ono!?!  Further research (😉) shows that out of several dozen other record reviews there are one or two of artists that can be rightfully called "jazz" artists.  Let's just say that jazz is not their area of expertise.  The review is honest in its contention that Washington's music seeks to expand jazz's audience by appealing to listeners whose tastes are more in the hip hop or rock camps.  Nothing wrong with that....as long as the hyperbole in the Coltrane and Miles connections is kept in check.  I think your reaction to the sheer size of the "Epic" project is emblematic of a big part of Washington's general musical philosophy: make it big and give the listener lots of it; sure to impress....some.

"Beam me up, Scotty" 
I agree with Frogman's analysis. Just thought Throttle Elevator Music's sound was interesting. I really don't take the comparisons seriously. How much does he sound like the Clash?

Anyway he did play with Gerald Wilson, so a small amount of Jazz cred. ,as a sideman.

https://www.youtube.com/watch?v=-3vD3Vl_C6k

A  sometimes interesting read, which sometimes pertains to real Jazz. 

https://www.nytimes.com/2016/01/24/magazine/kamasi-washingtons-giant-step.html