A New Ground -- Benefits of introducing the Synergistic Research Active Ground Block SE


Dedicated ground solutions are not a novel idea but over the past year it seems everyone has been coming out with their version. For a few months I’ve been thinking about introducing one to my system and had considered Entreq, Telos, Nordost and others. Although I have a bunch of Synergistic Research (SR) kit I had dismissed their older basic ground block as too rinky dink -- however when I heard about the new Active Ground Blocks I thought that could be the way to go. The Active Ground blocks are smallish devices with a mains connection and a plethora of outlets for grounding cables to every component. They incorporate a range of the latest SR UEF tweaks
http://www.synergisticresearch.com/isolation/ground-isolation/active-ground-block-se/

While the blocks alone are quite expensive ($2995) you will also need to lay out for connections to all of your components -- ideally the HD links. In my case as I have two distinct zones in my system I needed two ground blocks and 13 links -- quite an outlay

Question is is it worthwhile? Most certainly yes. The impact of implementing a full grounding solution in my system was one of the most profound changes I’ve experienced. It’s not a change that can be described in the usual audiophile terms of dynamics, frequency response, transparency etc. Instead it’s a shift in the wholeness, the verisimilitude, the gestalt of what you are hearing. Probably this is most obvious in a couple of places. Firstly is in background washes of sound (e.g. classic synth backings, or massed strings, or the whoosh that opens "Private Investigations") -- which now take on a scale, texture and clarity that had previously been completely masked. Secondly in vocals where a whole level of shading, nuance, breathwork, and subtly inflections are now audible. This is not simply more "detail" or a "reduction in the noise floor" it’s as if things which you did not know previously existed are suddenly there, as they had been all along

The effect is enhanced the more things you ground -- obviously all active components but even stands (my GPA stands are conductive so I connect a basic ground link to the bare metal inside the stand posts -- the surface metal is varnished and non conductive).

While I obviously can recommend the SR products I imagine any ground solution will bring similar benefits and would strongly suggest that anyone with a high resolution system explore some form of ground solution

ps For those in the now the music to accompany this review is A New Ground

128x128folkfreak
folkfreak OP
539 posts                                                                        10-29-2017 7:19pm

@jea48
well yes, the "safety ground" is used as a common point of reference for all the connected components, but you could just as well use a box of dirt a la Entreq or the or the special mix Verastarr are working on (http://www.monoandstereo.com/2017/10/new-verastarr-ground-box.html)

Using the term "safety ground" while technically correct to me implies that this has something to do with electrical safety where in reality all we are using the ground for is as a common reference point -- not a new idea as Naim devotees know well (http://forums.naimaudio.com/topic/how-to-achieve-star-earthing)

@folkfreak ,

Not so sure about your statement the AC mains safety equipment ground is not involved in the operation of the grounding block. When I asked ozzy if he would lift the equipment ground from his SR grounding block and then listen for any differences in SQ he did so and then posted back,
Jim,

Ok, I disconnected the ground wire from the wall outlet and the music seemed to shift more to the center. Plugging it back into the wall provides a more spacious soundstage.
So the question then is why was there a difference SQ? One explanation might be with the equipment ground lifted from the SR grounding block system it is then floating above the Main System Ground of the electrical service. With it floating above ground could it then be working as an antenna? If that is the case it would/could introduce any air born RFI through all the ground wires that are connected to the grounding block back to the RCA jack signal ground contact of all the audio equipment. (What is the average length of the ground wires? Is the SR grounding block enclosure made of metal?)

Mother earth is not involved, at play, ime. Rather, jmho, the AC mains, main grounding system is though. The electrical service in our homes is a grounded AC power system. What makes it a grounded system is the service entrance neutral conductor is intentionally connected to earth. By electrical safety code the service entrance neutral conductor is also bonded, connected, to the metal enclosure of the electrical service equipment, your electrical panel. As well all safety equipment grounding conductors of branch circuits also must connect to the grounded service entrance neutral conductor.

So as you can see the safety equipment grounding conductor connected to the equipment ground contact at the wall receptacle outlet and the neutral conductor at the wall outlet are at the same ground potential. The safety equipment ground conductor is directly connected to the neutral conductor back at the electrical panel.

Jmho, it’s the reference, same ground potential, relationship, of the safety equipment ground and neutral conductor that are at play here. Not mother earth.

Just an added note. A few years ago I was participating in a discussion on the Audio Asylum forum. Just going from memory I think the subject had something to do with how mother earth improves the SQ of an audio system. Therefore some were arguing the importance of using the safety equipment ground connected to the chassis of audio equipment. Not sure who at the time first pointed out that audio equipment that is class 2 rated, (that uses doubled insulated AC power wiring), doesn’t use or need a safety equipment ground. I do remember me posting that just proves mother earth is not at play. Mother earth does not have some mystical magical power that sucks nasties from an audio system. Somewhere in the back and forth posts I mistakenly said the chassis, enclosure, of audio equipment that uses double insulated AC power wiring is floating above ground. Charles Hansen, (Manufacturer, Ayre Acoustics, Inc.), responded to my post, not true. If the chassis is allowed to float it will act as an antenna. Therefore the chassis, enclosure, of the equipment is connected to the signal ground of the equipment.

Jim



Thanks Ozzy!

I found a set of male and female 2mm connectors that should fit the Ground Block.  If these connectors work, I should be able to try different cables from the Block to Atmosphere interconnects and speaker cables.
I've built several DIY silver ground cables using the 2mm connectors.

Replacing the stock ground cables for my Atmosphere interconnects and speaker cables had minimal impact.

However, it was worthwhile to add additional cables to my DAC and amps.  For example, my PS Audio BHK 250 had the SR HD ground cable and my DIY silver cable connected to the RCA inputs.  The extra cable reinforced the benefits of grounding.
Quick update on this thread to present a solution to ground for the front end of your phono system. As noted in prior comments on this thread grounding the first stage in your phono chain (be it the arm, table, step up or phono stage if no step up used) to the SR Block made the sound worse -- more congested and constrained. 

Convinced that their might still be benefit in giving the cartridge, tonearms and deck its own dedicated ground I was intrigued to see the Akiko "Phono Booster" -- which is in effect a miniature grounding block dedicated for phono stages
https://www.akikoaudio.com/en/akiko-audio/akiko-audio-audio-accessories/549-akiko-audio-phono-booste...

I took a chance on this (21 day money back from Jaguar Audio) and have been very pleased with the results. I have it connected to my step up (the phono stage itself is now grounded to the SR Block) and the effect is very worthwhile. Most noticeable is increased separation between instruments -- in loud orchestral passages each instrument has its own bubble of air around it and you can keep track of more as the volume and complexity increases. The down side in this is that it can at first listen seem a bit thinned out and bass shy but I believe this is in fact the removal of a coloration. The effect is very LP dependent and in every case with the Akiko in I can hear more information -- but in some cases the prior coloration was definitely euphonic.

One nit I have is that the wire is rather stiff and flops under its own weight (which is an issue as grounding cables need to be carefully dressed and kept away from other cables) and that the spade is a small one -- my step up ground lug is the larger size, but I was able to show it in. I think I'll explore having Mike at Verastarr make me up a replacement cable and will report back on that