@kosst_amojan . design a speaker that sounds good, not treats the amp kindly. A competent amp deals with it.
Blindjim > I have no argument for that what so ever. Wisdom filled words. Thank you. However, it doesn’t seem to resolve the question presented herein.
Unreproachable built amps with solid power resources seems the solution, although the exact output or capacity of the amp and how one determines it beforehand with respect to any speaker remains elusive.
Naively I thought out there somewhere was a formula, theory, or practice apart from practical past experiences which would satisfy it. It looks like there is none.
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@atmasphere > @blindjim that description really sounds like the amp clipping- all bets are off at that point.
OK. lets be clear on what clipping actually is for a change.
I thought it was an insufficient supply of power to a drivers demands or desires to produce a set of frequencies at a particular volume level..
Or IOW, a driver being starved of necessary voltage.
EX. Sony HT receiver w/120wpc + BW 9s, and later BW 802s. replacing the sony amp with a Krell KaV 250 no fuzziness or softness was perceived..
EX 2
Jamo R909s with BC 500 mono blocks.
I can’t help but feel after the upgrade in EX 1, and the Jamo + BC 500 amps, clipping was not an issue.
Please, correct me if I’m flatly wrong.
@atmasphere > are you nutz even suggesting any of your amps would compete with the Gryphon I mentioned on a speaker such as the Wilson Alexia, or others even with similar hard varying loads.
Blindjim > huh? Sorry Ralph, but You obviously have my remarks confused with someone else’. I never alluded to anything remotely disparaging regarding Gryphon amps. Nor did I make any reference to Wilson speakers.
Check your reference… you must have meant someone else yet did not include their handle to indicate your words were directed to them..
= = = = = =
Blindjim > I have no argument for that what so ever. Wisdom filled words. Thank you. However, it doesn’t seem to resolve the question presented herein.
Unreproachable built amps with solid power resources seems the solution, although the exact output or capacity of the amp and how one determines it beforehand with respect to any speaker remains elusive.
Naively I thought out there somewhere was a formula, theory, or practice apart from practical past experiences which would satisfy it. It looks like there is none.
= = = = = = = =
@atmasphere > @blindjim that description really sounds like the amp clipping- all bets are off at that point.
OK. lets be clear on what clipping actually is for a change.
I thought it was an insufficient supply of power to a drivers demands or desires to produce a set of frequencies at a particular volume level..
Or IOW, a driver being starved of necessary voltage.
EX. Sony HT receiver w/120wpc + BW 9s, and later BW 802s. replacing the sony amp with a Krell KaV 250 no fuzziness or softness was perceived..
EX 2
Jamo R909s with BC 500 mono blocks.
I can’t help but feel after the upgrade in EX 1, and the Jamo + BC 500 amps, clipping was not an issue.
Please, correct me if I’m flatly wrong.
@atmasphere > are you nutz even suggesting any of your amps would compete with the Gryphon I mentioned on a speaker such as the Wilson Alexia, or others even with similar hard varying loads.
Blindjim > huh? Sorry Ralph, but You obviously have my remarks confused with someone else’. I never alluded to anything remotely disparaging regarding Gryphon amps. Nor did I make any reference to Wilson speakers.
Check your reference… you must have meant someone else yet did not include their handle to indicate your words were directed to them..
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