I like to listen at the level I imagine the music would be played at if it were a live performance. I’m listening to John Fahey play acoustic guitar right now (with a pickup and amp, it sounds like, on his record of hymns, "Yes! Jesus Loves Me"), and after reading this got out my SPL meter and read about 80 dB on the loud parts.
I like orchestral music to be loud in the loud when it should be, of course. Of course there’s a lot of dynamic range in orchestral music. I wonder what concert hall SPLs are like.
A lot of the 50s and 60s-era acoustic jazz I like doesn’t need to be very loud to be enjoyable because it’s not too difficult to distinguish among four or five instruments.
Now I’m curious and will test myself and the music to see what works.
I like orchestral music to be loud in the loud when it should be, of course. Of course there’s a lot of dynamic range in orchestral music. I wonder what concert hall SPLs are like.
A lot of the 50s and 60s-era acoustic jazz I like doesn’t need to be very loud to be enjoyable because it’s not too difficult to distinguish among four or five instruments.
Now I’m curious and will test myself and the music to see what works.