Please Read and express your feelings and opinions....
If anyone is interested in learning something new,I extend the Invitation over to this thread. https://forum.audiogon.com/discussions/who-has-luv-for-the-lyngdorf-2170-and-is-thinking-about-the-3... Enjoy, Kenny. |
Hi Jon You had me worried for a minute. You’d be surprised how many folks don’t understand what a soundstage is. I always think it’s maybe because they haven’t been start to finish on a recording project. If you do a few it becomes pretty easy to detect how a soundstage works. The word "distortion" did throw me a little because sound stages are really pretty simple things to replay. Like for example, when recording, if you get use to doing halos in the live room and go listen to it you can see the tri-miking setup (pretty easily). If I do a setup, I will do 3 rooms. One is the live room, one the control room and I also setup a playback room. I don’t like using a lot of the control rooms out there for judgement calls. In recordings what I typically do is the first set of mics are close up, then I back off for the second layer, and then I pickup the whole room. That lets you blend say your piano. So when I playback a piano on a system I can usually tell if the halos are squeezed cause it makes a certain sound within the playback stage. It’s kind of like when the guitarist knows the different guitars playing in any recording you also get use to how patterns sound. If a playback pattern isn’t working right you know right away. It’s very specific. Also, I don’t know if you know this or not, but anytime you start any recording there’s a pressure that you feel behind your head. If you don’t feel that pressure that means your not getting enough of the content. Anyway there’s just little things you learn from doing it that I’ve notice a lot of folks don’t know, or if the teachers are teaching. Michael Green www.michaelgreenaudio.net |
unsound - Gdhal, You may proud of the suggestion, but I think it’s a terrible idea. I didn’t realize there was any such thing as a terrible idea. In any case, it will be interesting to find out what Audiogon thinks as opposed to what those who state the impossible think, with the assumption they even do so. |
Well I'm going to bow out on this one, but I do want to say in closing (for me). Jon, yes my clients do listen for all of that and more. In fact that's what they expect me to deliver. I'm trying to give you the benefit of the doubt, but I think your robbing the hobby a little short of it's potential by suggesting that the listeners aren't interested in the whole recording. I would say a great deal of hobbyist are thrilled when they hear accurate heights. But maybe that's me being too picky. Michael Green www.michaelgreenaudio.net |
