I agree with Geoff and Michael Green. I have appraised 17 recording studios, have performed and recorded on many Los Angeles main stages as an amateur
(from UCLA Royce Hall. Ford Ampitheater to Disney Hall)
(as opposed to my friends like Kevin Grey who is a true professional) and have a large recorded music collection from ancient (1898 to the present) recordings. Soundstaging is an essential element of recording. It is known by the engineers by the venue if a good recording is to be extracted/recorded.
I've gone so far as incorporate the SR Atmosphere XL4 to alter soundstaging to my liking post-recording and attempting to replicate the soundstage on which the recordings was created (or just sounds best to me). I do not know exactly how SR achieves it's results but the tool(s) SR provides are very welcome.
I've gone so far as incorporate the SR Atmosphere XL4 to alter soundstaging to my liking post-recording and attempting to replicate the soundstage on which the recordings was created (or just sounds best to me). I do not know exactly how SR achieves it's results but the tool(s) SR provides are very welcome.

