Just a thought. The high mass Zeta may be a bit heavy for the Dyna 20, but the SME M2-9 would be a nice step up from the Rega, a good match for the cartridge from an effective mass standpoint and SME arms were commonly bundled with Oracles and are part of the design center of the turntable.
Tonearm comparison, Rega vs Zeta, anyone?
Rega RB300 (giant killer) $250 - $400, - - - Zeta tonearm (Giant) $1350 NOS. sold for $800 on US audiomart.
I’m stepping up a level in the cartridge dept, and wonder if the benefits of doing so might be further augmented by stepping up a level in the tonearm dept, and if doing both would make a sonic improvement greater than the sum of it’s parts?
A gain of that level in sonics would make such an expediture intriguing, Eg: 1+1= 3.5. (ajusted to compensate for the law of diminishing returns).
Has anyone out there used "both" an RB300 and a Zeta? And would you feel that moving to a Zeta is closer to a lateral move, or more reflective to an exponential improvement?
My Rega has been rewired with Discovery interconnects, and uses the heavier counterweight.
(Cartridge move is from a Grado Reference Sonata 1, to a Dynavector 20x2 High Output).
I’m stepping up a level in the cartridge dept, and wonder if the benefits of doing so might be further augmented by stepping up a level in the tonearm dept, and if doing both would make a sonic improvement greater than the sum of it’s parts?
A gain of that level in sonics would make such an expediture intriguing, Eg: 1+1= 3.5. (ajusted to compensate for the law of diminishing returns).
Has anyone out there used "both" an RB300 and a Zeta? And would you feel that moving to a Zeta is closer to a lateral move, or more reflective to an exponential improvement?
My Rega has been rewired with Discovery interconnects, and uses the heavier counterweight.
(Cartridge move is from a Grado Reference Sonata 1, to a Dynavector 20x2 High Output).
- ...
- 21 posts total
- 21 posts total

