I don't buy this nonsense about half or most recordings being out of phase or polarity or whatever you want to call it. It doesn't even make sense on it's face. Inverting the polarity completely changes the presence of the sound. Air is a single ended medium of transmission. You can compress it much more than you can decompress it. If you invert the polarity of the recorded instrument, the single ended nature of air will inject it's own distortion where none should otherwise be. Absolute polarity preservation will avoid that and not challenge the loudspeaker to replicate polarity that air cannot accurately convey.
What more, the recording engineer I do listening for every now and then is a real fanatic about phase and polarity and most engineers understand that it's critical to achieving the sound they're looking for.
What more, the recording engineer I do listening for every now and then is a real fanatic about phase and polarity and most engineers understand that it's critical to achieving the sound they're looking for.

