Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Mary Lou Williams;


          https://en.wikipedia.org/wiki/Mary_Lou_Williams


Rok, I would like for you to focus on her early years; she taught herself to play piano, I don't know where we read this, but her mother would not allow professional lessons. There is a special reason that I mention this.

We did not discover her until a couple of years ago, that was 2016. I didn't bother with her music because she predated "Bird"; therefore she could not be hip. I most certainly was not into the musicians of her generation. All the assumptions I made about Mary Lou Williams were wrong; no matter how late a mistake is corrected, it's better late than never.

Now, I just can't get enough of her music; although I put her music down for awhile, I've picked it back up. Almost every artist I can think of is a little like some other artist, or uses a similar riff or something, but she's so unique as not to be like anyone, and the fact that her music is still "cool", is really amazing.

I think the fact that her mother forbade anyone else to teach her music, established this individuality.

Rok, why don't you peruse your collection, and post some favorites, and then I'll do likewise; besides, the jazz queen of Croatia wants to hear some of your music.

Favorite Williams, or just favorites?


BTW, I still have a visual image in my head of the page on which her music was reviewed. Stereo Review or Jazz Times, I think.

'Zodiac Suite' was  the CD.

Cheers


"and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie." All the musicians I idolized, she taught; can you imagine that.

In 1945, she composed the bebop hit "In the Land of Oo-Bla-Dee" for Gillespie. "During this period Monk and the kids would come to my apartment every morning around four or pick me up at the Café after I'd finished my last show, and we'd play and swap ideas until noon or later", Williams recalled in Melody Maker.


I have never read where Monk chased after anybody, but there he is with the kids every morning. She was super heavy; I can't believe how modern her music is.