Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Least I be misunderstood, and I don't believe anyone directly implied that, let me be more direct.  I enjoy drums and bass, both for their foundation work and when offering entertaining solos.  However for me there can be two issues -- unnecessarily long solos and solos that seem to lack a cohesive musical plot.  Maybe those are one and the same.

Possibly frog offered the essence: "everyone gets to tell his/her story."  Too many drum and bass solos don't seem to me to have a story.  Or they offer only a short anecdote and then keep repeating it, hoping it may take the form of a story.  Or they start out fine, but then ignore the standards for telling a good story and end up without a climax and going no place, leaving me hanging.

My example on the positive side, Morello's extended solo on "Castillian Drums".  It may be long, but I find it continuously interesting and carrying on the musical theme.  For anyone who may still be unfamiliar with it -

https://www.youtube.com/watch?v=0LBZJk5Kfgw

And so, when local musicians, not quite professional grade, find it necessary to solo on every number it's time for me to leave.

Jazz Hounds-


does anyone have the 2-LP set "Reevaluations: The Impulse Years"

by Yusef Lateef ?  Please send me a PM. 


Happy Listening!

Yet again at perihelion...greetings Earthlings.

Apropos the recent discussion of certain solos. A contribution from my working musician/producer bro-in-law who has characterized the obligatory, in-concert, upright bass solo as "a trapped fly, buzzing behind a window shade" (or words to that effect). Obviously, he’s not a fan of ’em. In light of that, he shared, with relish I might add, this article that supports his point of view.


http://archive.is/6D3sY