GaN-based Class D power amps


The use of GaN-based power transistor tech is now emerging for Class D audio power amplifiers. Seems appropriate to devote a forum thread to this topic. At least 3 companies have commercial class D amps in their books:

Merrill Audio, with their model Element 118 ($36k per monoblock, 400 W into 8 ohms, 800W into 4 ohms), Element 116 ($22k per monoblock, 300 W into 8 ohms, 600W into 4 ohms) and Element 114 (coming soon). 
https://merrillaudio.net

Review of Element 118 at this link:
http://www.enjoythemusic.com/superioraudio/equipment/1018/Merrill_Audio_Element_118_Monoblock_Amplif...

ADG Productions, with their Vivace Class D amp ($15k per monoblock pair, 100W into 4 ohms). (The designer emailed me indicating he has another product in the pipeline.)
http://agdproduction.com
Review of the Vivace Class D moniblocks at this link (warning: link might not work (1/11/2019)):
https://positive-feedback.com/reviews/hardware-reviews/agd-production-vivace-gantube-monoblock-ampli...

Technics SE-R1 Class D stereo amp ($17k per stereo amp, 150WPC into 8 ohms, 300WPC into 4 ohms) 
https://www.technics.com/us/products/r1/se-r1.html
Preliminary review of the Technics SE-R1 at this link:
https://www.stereophile.com/content/technics-se-r1-digital-amplifier
Technics also has a lower priced GaN-based class D integrated amp in their catalog:
https://www.technics.com/us/products/grand-class/stereo-integrated-amplifier-su-g700.html

Anyone listened to or own any of these amps?


celander
I can only speak for the Merrill Audio amplifiers at this point.
1. There is zero dead time. So it is smooth and you cannot tell or scope any switching.
2. There is zero feedback. Since we don’t have to correct for distortion or overshoot or deadtime. This results in pure detail and air (assuming the track has all of this recorded in it). The difference is quite stunning.
3. There is miniscule parasitic capacitance and inductance. There are probably have more capacitance in interconnects.
4. The wasted energy is minimized and the design is very efficient. Hence the amplifier operates at a stable low temperature, keeping all components around it operating at a low temperature also. This temperature stability means the operating amplifier approaches theoretical design. There is not thermal compensation required or degradation of components due to heat or thermal gradients of components to worry about. While green is a side benefit, the actual benefit is stable operation of components. This is big as inductors, capacitors and resistors have heat coefficients (positive and negative) and have different values at different temperatures.
From a sonics standpoint, the new Merrill Audio ELEMENT series are easily an order of magnitude better than the VERITAS. But don’t take my word for it, go listen to them yourself. Take your amplifier and do a direct A/B comparison.

GaN transistors – first commercially available in 2010, will certainly become more pervasive as the costs come down. GaN material was used in LED’s for over 2 decades.

GaN transistors can be used for any class of amplifier. It is not limited to Class D or other switching designs. It is commonly used in the Cellular industry which was the first to take it up as an amplifier. This is because of the very fast switching speeds and power handling capability of the GaN transistor. It is excellent for operating in the Gigahertz range.

As the volume increase, production gets better, the price of the GaN transistors will come down and you should see them used ubiquitously, much like a silicon transistor today.

I don’t give out the details on my component designs, and that will hold true here also. And as noted in this thread, it matters what it sounds like, not whats in it. A Bugattis cost money and not everyone can afford one. So the best sound for what one can afford or is willing to pay is where all of us will land up.

Here are some of the early reviews and more to come from HiFi Plus, Enjoy the Music, Positive Feedback and so on.

Brutus Award , Positive-Feedback.com editor David Robinson, “After starting the listening sessions, I still didn't realize that they were Class D…at first. I really liked the initial impression that the Element 118 created in me: very fast transient response, clean, transparent, detailed, and lacking no dynamics with key recordings that I always use.
Then I walked over to the amps to assess the heat being generated, and was startled by the fact that the 118's were cool to the touch! "Damnation!" says I, "The bloody things must be Class D!"
They are, but with state-of-the-art design and execution that puts Class D into my top-o'-the-heap class of true reference amplifiers. Details will follow in my review, which I hope to have done in January or so of 2019. Stay tuned for that one…the Element 118 is serious stuff!”

You can also look up my thread on “Merrill Audio ELEMENT 118 on Tour” to see more reviews first hand. Some of the speakers used are high efficiency horn speakers. Also look for reviews by Kansas City Orchestra percussionist in other forums.

To summarize, it is not the topology that matters, it is the actual build, fit and design. The ultimate test is the listening test. Until one hears A/B comparisons and actually hears the component, it is very hard to speculate how good or bad something is by just the marketing material or chatter.

mikepowellaudio
George, isn't the Technics like $30K or something ?
Yes that's for the all out GaN SE-R1 poweramp.
Look at $4k   GaN Su-G30 network integrated amp
https://www.technics.com/us/products/grand-class-g30/network-audio-amplifier-su-g30.html



Forget continuum, it seems to be a sore spot
I'd say that's an understatement at that price for what you get inside.  
I've yet to see other models innards, as there's no pic to see of them, yet.


Cheers George 
Post removed 
The overshoot is a common cause of the hard edge found in a lot of solid-state equipment.


Not even apples and oranges, this is apples and couches.

What evidence or experience do you have that this particular issue is indicative of this audible problem in a linear amplifier?

Next, since these overshoots are at an even higher frequency than the switching speed, maybe by 10x as much. A 400kHz switching speed, with some ringing, would probably be in the 4 MHz range. Based on what experience do you attribute this particular issue to a particular sound quality in what exact Class D amp?

Because the last thing my Class Ds have is hardness, did I get lucky?

Best,
E