This was indeed a great show for the first time in So Cal.
I was disappointed with how many systems were just simply bland, ...... boring. There were far too many rooms that I entered but immediately left as the result was like a friend with me said, "it just sounds like a Best Buy demo". Of course we have to remember these setups were done in less-optimum rooms with minimal time for tweaking, but the simple fact that a dozen or so rooms could bring the music alive meant that it can be done.
For me, by quite a stretch, the Estelon/Edge setup was the most impressive. In so many rooms I waited patiently to get a front row seat, and far too many times I waited and waited for the magic to arrive...and it never did. Upon entering the Estelon room, there was something immediately different. There is much critique lately on the "problems" with Accuton drivers. The Estelon designer must be doing something right as I heard no hint of brightness or edginess with these speakers. System setup and integration here surely had a lot to do with the success of this setup, but these speakers were truly special. The exhibitor mentioned that they had shown these speakers with many electronics, but this weekend it was with Edge and the Edge clearly contributed much to the success here as well. If I had the $44k, an impulse buy for these speakers would likely have occurred!
After being a planar guy for 10 years now, I've only heard a few dynamic-driver based speakers that impressed me like the Estelons. I was disappointed to not hear Avalons at the show.
I was eager to hear the Brooks Berdan room with the VTL setup. But as usual for me, the Wilson speakers were uneventful. My friend exited the room quicker than I did as he too was disappointed. I can only imagine what a pair of Avalon Eidolons would have done in that room! ...... or Sound Labs....8-).
The sound from the big Focals was very good as was with the Tannoys. The Focals being in a bigger room than many other setups may have been an advantage here.
A couple other rooms that I was eager to visit were the Bluelight and MBL setups. The Bluelight setup sounded very clean but it just did nothing for me. Perhaps it was the music being played at the time. But I left being very VERY disappointed.....just nothing to want me to stay and listen more than a couple minutes. The MBL system too was impressive with it's technical performance, but I had a similar feeling here as I did the Bluelight room. I really need to hear the MBL 101's in my home with the CAT JL3 amps.
The Gene Rubin setup was one of those impressive setups. For a fraction of the above setups, Gene had something special. The small Harbeth speakers driven by Naim and a new UK turntable with low-priced Dynavector cartridge was truly impressive. I knew nothing about any of these product lines. System integration and setup is truly everything.
One thing that I noticed was that every setup with Cary electronics greatly impressed me. I've never heard Cary at my home or at a dealer, but something was always "right" here. This was especially true for the MIT room. The sound was detailed and rich and dimensional and not the typical tubey sound often reported with Cary products. If I was new to high performance audio systems or was looking for an upgrade in preamp or amps, Cary electronics would be at the top of my audition list.
And finally, the "jaw-dropping" sweepstakes award for "you've got to be kidding" was the Napa room. There was no other word for this than, Wow. The setup was a $400 tube integrated amp driven by an ipod (analog driven) into a $200 pair of mini speakers on stands approximately 3 feet tall. I have never heard such performance from anything remotely close to this price....and speaker size. There was ambience and dimensionality like the vast majority of the far more expensive systems at the show could not achieve. I purchased this system for $480 (stands not included) after the 20% show discount. I've been known to pay twice as much for a power cord!
Great thanks to the LA/OC audio society for making this even happen.