Maybe digital is equivalent to Linn's philosophy, in a way. Until they suggested the foot-tapping way to evaluate equipment, people didn't look at things that way(and I'm not saying that is the only way to look at things). Is there a way of looking at digital that is equivalent(Does that sound dogmatic enough for the therapist?). For instance, at Stereophile's High-End show, circa 1984, at the Dumphy in San Mateo, I was one of the few that appreciated the Linn Kan's(no bass, etc.) virtues. I'm not talking about clicks and pops here, as I'm sure analog provides many of(especially if that's what you are looking for). The good analog setups separate the clicks and pops from the music.
When is digital going to get the soul of music?
I have to ask this(actually, I thought I mentioned this in another thread.). It's been at least 25 years of digital. The equivalent in vinyl is 1975. I am currently listening to a pre-1975 album. It conveys the soul of music. Although digital may be more detailed, and even gives more detail than analog does(in a way), when will it convey the soul of music. This has escaped digital, as far as I can tell.
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- 835 posts total
- 835 posts total

