Any bad experience with wilson audio sasha w/p?


Sorry for the question, but I have been hearing good reviews about wilson audio sasha w/p. I am actually convinced to try a new set but hope I can get the negative side so I can come out with a decision that I will not regret in the future.
jerrypan
Bo1972,

you go on and on about how Wilson's need so much to get them to sound good and then you say, "To get everything out of the Pl-200 you need an amp which can give an extreme wide and deep stage", I get a wide and deep stage with the Densen and instruments sound real. I'm sure if I had the Pass Labs it would sound even better. You say, "I need the PLW-15 to strat from 16hz", I don't like subs. No my Sasha's don't go to 16hz, but the type of music I listen to doesn't require them to. You continue by saying, "You also need Audyssey pro and my way of measering to get the full stealth low freq". You remind me of why I give very little credence to individuals on the internet. Like I said, I will go listen to the P1-200s with my equipment and report my thoughts.
Folks, Bo... is 100% correct. As a fellow member of the A'gon community, it pains me greatly that any of you would be suffering with those Wilson speakers, any model. So, I will take them off your hands at no cost to you of course. Send me a note to advise on shipping costs and I will reimburse you.

P.S. I'm only interested in late model Wilsons.
This is not about bashing Wilson Audio. Also not to be 100% correct. This is about good quality in sound for every person here at Audiogon. The people who are happy with there Wilson speakers is always good. The most important thing I learned in the 15 year I am in this business. Is how personal sound is. For me it is important that people get good and honest advice. I am aware that words can be read different ways. We are all different. I love to talk about audio. Always interested in how other people think. Like Ricred1 will audition the Pl-200. That are the people I like. There is enough room for every person to have his personal opinion. In the last few months I had a lot of fun here at Audiogon.
Ricred1, agreed, guys like this are so wrapped up in being a guru and touting their superior hearing and evaluation skills that this becomes their main mission, and what they say loses impact and credibility.

Usually you hear about soundstage, exact statements about bass, location of sounds, on and on. Usually you don't hear much about the beauty of music, sound that makes you stimulated yet relaxed at the same time, music that is achingly beautiful. That's what real detail is about, bringing musical sounds to the forefront while REDUCING harshness.

And excuses about being so accurate that they hurt are as old as the hills, and are false. Low distortion brings more musical detail AND more ease of listening.

A Pl-200 is a lot easier to drive, but you still need an amp which can give a 3D image. Without it you get an average sound. Most shope in the Netherlands use 2 dimensional amps to drive Monitor Audio Speakers. This means they do not understand the difference between 2-dimensional and 3-dimensional sound. Like they do not know which amps or even speakers have the ability to give a deep and 3-dimensional image. We are talking about quality in sound. Knowledge in sound and music. Music is all about emotion. You want to be touched by the music you love. This you get wenn you have a 3-dimensional intimate sound. Juat like in real wenn it can give you a meltdowns at the moment you did not expect it. The absolute sound is all about emotion and quality!