Ebarker2,
I read you review of the Tron Seven. It was very appealing. I owned a Groove that I thought was excellent except for the inability to adjust it for different cartridges. I am also curious about the new VTL phono stage. It will be without a SUT.
I just got an email from Thomas about his latest "great" cartridge combination. It is one of many so realize there are many great combinations. I don't want to quote him directly without his permission but he mentioned that sound is a personal thing & that what he often likes or dislikes might be different from others. He also mentioned that it is system dependant. Thomas does not like sound where bass is sacrificed in the least for midrange or treble. He also refrences "live sound" as his goal.
PS, one of his phono stages aside from the Tron Seven is the Pass Xono.
I read you review of the Tron Seven. It was very appealing. I owned a Groove that I thought was excellent except for the inability to adjust it for different cartridges. I am also curious about the new VTL phono stage. It will be without a SUT.
I just got an email from Thomas about his latest "great" cartridge combination. It is one of many so realize there are many great combinations. I don't want to quote him directly without his permission but he mentioned that sound is a personal thing & that what he often likes or dislikes might be different from others. He also mentioned that it is system dependant. Thomas does not like sound where bass is sacrificed in the least for midrange or treble. He also refrences "live sound" as his goal.
PS, one of his phono stages aside from the Tron Seven is the Pass Xono.