The Cartridgeman Isolater.

Dougdeacon,

the whole advantage, as I see it, of the normal super glue is that it is very thin and effortlessly gets drawn into whatever gaps are present. In other words, it automatically creates the perfect bond. If the gaps are too big a second application will fill them while still making use of the capillary action of being drawn into the joint.

In my case, I applied the super glue through the headshell slots quite easily. The other joints were also very simple, although the Maplenoll isn't exactly intimidating in this regard.

I'm not sure how the Nightingale relates.

Groovy,

there are actually many cartridges with wood bodies: all the reference Grados, the upper Benzs, the Cardas Heart, some of the Clearaudios, some of the Koetsus, the Sumiko Celebration, the new Phase Tech P-1 and others.

...it automatically creates the perfect bond.

I find it hard to believe that anybody on Earth can make a claim like this. What's with these crazy "facts?"

It does seem logical that a little bondage between cartridge and tonearm would be beneficial, though.

Ketchup,

I don't claim to "know" what the truly "perfect" bond would be, but relatively speaking, the super glue automatically is drawn into the joint to fill any gaps, without introducing another interface between the cartridge and the headshell which mate directly. It dampens without dampening, as it were, since the super glue hardens rather than staying semisoft like contact cement would. Intuitively, this seems ideal to me. It also sounds better (cleaner, not brighter) to me, on my table/arm/cartridge.

audiofiel, there is life outside the usa , if you care, to make my point valid, i can send you a photo with the piece of junk sitting on top of my kuzma headshell !

I thought I would take the risk and buy a Cartridge Man Isolator. This is now on my VPI HRX with 12.6 arm. It seems that this product has a lot of skeptics (not many who have actually heard a real one thou) and several positive reviews in the press. Well, in an age of $1800 LP demagnetizers, $150 is not a lot of money to blow I thought. The Australian dealer offered a money back guarantee as I was leaning towards the skeptic’s side.

The new/current isolator model looks quite good with its rounded corners. The isolator material is soft and spongy so with all things related to cartridges, be careful. It is very easy to install the isolator. I agree that the older model looks 3am bush pig ugly.

I put the isolator between my 12.6 arm and the Koetsu Rosewood for 2 main reasons. 1st due to the fact that the rosewood was all ready on my spare arm tube. 2nd I was not that happy with the sound I was getting out of the Rosewood. I thought I would try the isolator before I put the Rosewood up for sale, and then try it on my dyna XV-1 or Clearaudio concerto.
The rosewood had a somewhat bloated ill defined bass, coupled with slight reticence in the treble region and some brightness in the lower treble - overall not very musically convincing. Nice mids thou.

To cut to the chase, in my system the isolator is SUPERB.

It brings a whole new level of relaxed coherence top to bottom. Bass is better defined and controlled, the mids are just super transparent and you can see deeper into the soundstage and the top end is more extended and detailed, but not due to the effect of adding brightness.

This new found relaxed musical presentation does not equate to rolled off highs and slow ponderous bass. Just the opposite in fact, but it just sounds more relaxed and easier to listen to. I can seem to hear instruments start and stop a lot easier (especially noticeable in the whacking of hi hats) which adds tonal meat to the bone as well as allowing you to hear more instrumentation from the performance.

The koetsu now sounds great with pop, rock, blues, jazz, electronica, and alternative. I have not listened to any classical but it sounds great with all music.

Bottom line for me I am no longer selling the Koetsu Rosewood as it now sounds as good - albeit slightly different to my dyna XV-1. Every performance parameter of the Koetsu sounds better and that makes for a musically convincing and enjoyable increase in satisfaction of listening to vinyl.

I am not taking the isolator off the Rosewood it sounds that good now. I don't even want to go back to my dyna XV-1 after living for just over a week with the isolator/rosewood combo.

I will soon buy another Isolator to put onto my dyna XV-1. I just hope the VPI VTA tower can cope with the extra 5.5mm height adjustment. I’ll give some follow up comments after that.

For any VPI owner I would say am must try as in my system it transformed it. For other arms I would give it a try as well as it does what it is claimed to do for my ears.

Five Stars from me and finally something that adds really musical value at a reasonable price.

I would like to hear from other owners to hear their thoughts.

Happy listening