Anyone own a Pioneer Exclusive P3 ??


wondering if any one has heard one and how competitive it is to today's 10k tables

http://www.thevintageknob.org/PIONEER/P3/P3.html#
downunder
OK you guys. As T_bone knows, I just bought my second L07D yesterday. I know that the P3 was rated better in the famous 1980 "shoot-out", but that was the opinion of two other guys. Plus they did not use an RF/EMI shield between the platter and the LP, whichh is recommended especially for the L07D. Believe me, it makes a difference. You might also want to try it with the P3. I used TI Shield from M Percy. This is a material developed by Texas Instruments that was not even available back then.
Lewm,
Another L07D? This must be a great table to buy a second, the one from Germany I assume. I have more than I can deal with even now but these classic direct drives are getting the best of me. L-07D, sp-10 mk3, P3, DP 100m, PS-X9. I'm in danger of becoming a TT collector as it seems you and T_bone already are. Oh well, you could own them all for less than the cost of some modern sota tables.
Dear Sonofjim, Becoming a turntable collector is my biggest fear. Actually, you are ahead of me, and Travis puts us both in the shade, I am pleased to be able to say. I "only" have the Mk3 and the two L07Ds among the top rank ones. Of course, I also have the slate/PTP3/Lenco, a DP80, and an SP10 Mk2A, for a total of 6. I swear to myself that two of these, maybe 3 of them, have got to go. Actually, the second L07D was an auction on eBay, and I picked it up yesterday in Long Island, NY. It's quite mint-y. So, not the one from Germany.

I am in the process of constructing a very elaborate partially slate plinth for the Mk3, which is why it is not up and running. If you have not had your L07D tuned up by Howard of "L07D Lovers", you really ought to consider it. Mine is preternaturally silent since he did the work, and throws the widest deepest soundstage I have ever heard from a tt. Get the shield as well.
Lew

That is great news,

but remember its not a contest,(we can leave that to the current tables) - but rather a celebration of 30+ year old tables that can literally compete with the best of the current production.

Personally the industrial look of the Kenwood leaves me cold - but I am sure it sounds great.

I am not sure the P3 needs any RF shield - it is silent as is, but I'll try anything once.

Can you give us a link for the RF/EMI shield - I assume you just cut it into circle and place on the platter? how thick is it? Do you put it between the platter and rubber mat??

me, I am very tempted to get a Garrard 401 so I can hear the "idler" sound.

cheers
Downunder,
The Kenwood is really understated and cool looking, IMO. If you see one in the flesh, you will know what I mean. The plinth is an integral part of the design and beautifully thought out with constrained layer damping, etc. IMO, each of the top line dd tables has a strong point that the others don't have; for the Kenwook, it is the plinth and the integration of the tonearm into the mix. Plus, the motor (coreless and slotless) and motor controller are unique.

Yes, I cut the TI Shield in the shape of an LP, punched a hole in the center and placed it between the platter and the platter "sheet" on the Kenwood, which is essentially a 5-lb platter mat made of stainless steel. On any table you could put it between the platter and whatever mat. I am not at all sure that other DD tables even need it. There was some scuttlebutt that it helps an SP10 MkII. Mk 3 should not need it because the platter is made of brass, essentially, with a high copper content. There is strong support for using a shield with the Kenwood on the L07D website. IME, the effect is at first subtle but then quite convincing in terms of improved clarity, wider soundstage, better inner detail. There is no "noise" per se with the Kenwood, even without the shield. The shield lowers the noise floor from low (no audible noise) to very low (wow factor).