Brinkmann vs TW Acustic


Was wondering how these two German manufacturers compare.
Bardo vs Raven One
Oasis vs Raven GT
LaGrange vs Raven AC
Is there a unique sound signature that goes up with the range? Which is a better value? (i.e. maybe the Oasis is better than the Raven AC)
Have heard both in show conditions, but could not pin-point their contribution to the end result as the rest of the system was unfamiliar as well.
iaxelrod
Hi Blammy,

my apology must have been someone else who was doing it years ago for TW in Germany, a mag named "LP"

Dgad,

yes my bearing had the ball bearing on top, yours must be an older design if it is the same as the AC because my AC was the same description you are referring to.

Guys I'm a pretty straight forward shooter, I'm just providing my own first hand experience. You don't have to agree that's okay, at lease one owner "Dgad" whom owns one has acknowledged he had the same issues in two areas.

As per my prior posts yes I did buy and own numerous TW products. Raven one was the most disappointing purchase after I got the AC3 and compared.

AC3, nice table - then comes my purchase of the BN. Physical appearance for me was night and day over the AC3 but should be at more than double the asking price, I appreciated the BN sonic wise.

So what happened Dgad?

Well after that "NEW PRODUCT" syndrome wore off specific things bothered me besides the numerous flaws I have mentioned previously. We are talking about a very expensive table here, $40 + K

At that time I could not get the speed to lock in as Dgad also mentioned with his. My controller unit had been sent back due to only being able to hold a 4-5 hour charge when on battery. I could hear a difference, as Dgad has written he had a similar experience.

Being in contact with both Jeff and Thomas I was basically being told "your crazy there is no difference being heard and the table runs on a accurate speed and the hours mentioned for battery is approx." and so on.

So be it.

At a point I found myself at a dead end so I started checking out other tables to learn more. I have learned allot and that there are all kinds of flavours, in the end really is subjective as I have read on numerous postings but I'm after what I like not others.

I know set-up, phono settings etc is important and have that covered and I always chuckle when specific individuals suggest there may be an issue there.

I'm happy where I'm at and don't see me saying it's the best sounding and best built, I always have the door open to try.

I actually have two tables, one that's been talked about in another forum mostly. Very interesting pce but very costly, also comes from Japan :-)

Rauliruegas, buy a TW BN table and place it in your system and then we can talk but until then you just won't get it.

Also you might want to keep an open mind in relation to Syntax table set-up, you just might learn something. :-)I know I have.

Obviously there was more going on then just not being able to hold an accurate speed but Dgad says at least that's now been resolved, good to hear.

I like it when manufactures listen, didn't originally to me but something must have happened.

I gotta go catch some waves so hang loose.

Dear Lewm: Sorry nto disturb you. IMHO is relevant because Dev is talkind about one critical audio subject: accuracy and things are that he owns tube technology that IMHO is not really accurat Nothing against tubes as you could think, only a " coincidence " and not because SS.

Regrads and enjoy the music,
R.
Raul, You tend to use the term "distortion" to describe any factor that results in a deviation from perfect reproduction (whatever that is, and sadly it is often subjective) of what you perceive to be in the grooves. In that sense, I agree that electronics that distort and distortion due to tt speed aberrations could be lumped. All I am saying is that the two are qualitatively very different. They will be perceived differently. If you have perfect electronics, you will still hear the tt distortions. If you have a perfect turntable (in terms of speed accuracy) then you will still hear imperfect electronics. The two "distortions" are of a very different kind with respect to one another. This is why I wrote that one has nothing to do with the other. By now, we know how you feel about tubes. I don't think your analogy between distortions due to electronics and distortions caused by tt speed aberration is a very good one, for reasons just stated.
Syntax, you wrote "...you find for everything a matching example. May I tell you a little story, it is a bit different, but in a way comparable."

Are you inferring that SME provides turntables with higher speed accuracy performance to professional musicians and conductors only? That is how I interpret your analogy to the BMW M5 reviewer and the club owners after they complained about performance.

Could you clarify your point?