Are You Content With Your System?

I'm at the early stage of the disease... 6 months so far. When did upgradeitis plateau for you guys??? I've been buying and tweaking like crazy lately!!! But it seems to be working out nicely, the system is sounding less bright and very musical compared to 4 months ago.

Ok, I will toot my own horn. I am not at all "content" with my system. However, it's better than any system I've listened to at hi-fi shops in my life time. I do have the advantage of having a decent size living room to house my stereo. But, my stereo a fraction of the retail price of those I compare with in stores. Nevertheless, it's still only 80%.

My state of contentment varies and neither side of the amplitude is particularly easy to objectivise, complex as my system is. Sometimes its the system, sometimes myself, sometimes both. Guess, my system and I are both complex systems. However, if I've just been to a classical concert or unplugged Jazz live, I sometimes live through a similar state of amazed contentment, when I start up my music, as Sean has described above. Mind you, I am generally much more discontent with baldly recorded software than with the system as such. Seems CFB, that I've more or less found my mantra though the years, or perhaps have become just too old, to want to find new ones. Cheers,

The audio realm is a dark and personal genre. Each person has their likes and dislikes some of us agree with each other and some of us never will. But sonic nirvana is what we are all after. I will be changing my N803s and getting a pair of Revel Salons or Studios which ever will suit my room correctly. and I feel at that point I will be in contentment for some time. I love my B&Ws but lets face it the Revels will smoke my N803s. So as I venture on my next quest with hopes of reaching that final plateu. If there is one. I will be looking forward to finally getting the speakers I have been wanting for some time now. and what better gear to have with the revels MARK LEVINSON

Compared to many, my investment is small, though compared to many more it is large. I've spent the equivalent of US$6500, but on two complete systems, one in the living room, one in the office/study. I've heard systems in which the preamp alone cost more than I've spent on everything, and while these megabuck set-ups have been superior in one or more ways to mine, overall I haven't been tempted to go into debt to duplicate them because, like Daniel, I feel I've reached the point of diminishing returns (i.e., doubling or tripling my investment will only bring a few percent of improvement--if such things can be quantified).

With respect to upgrades, I will, when and if finances permit, (1) acquire a pair of Tannoy DMT 15 or DMT 15 II or DMT 215 and sell one of my pairs of DMT 12s; (2) purchase a universal SACD/DVD-A/Redbook CD player; (3) buy a Technics SL-1000 Mk II turntable system (I sold mine and have regretted it ever since).

And while I troll the waters of eBay and Audiogon and Digibid as often as anyone else, it's more to see what people are up to, are keen about, are getting rid of, rather than as a prospective buyer. Similarly, when I read Listener or Stereophile or any number of other mags, it's to keep abreast and informed: no plans to purchase a $30K Accuphase digital front end. . .

FYI, my two systems are as follows:

Living Room: Thorens TD-125 Mk II, Grace 707 arm, Reson Reca cartridge; Sony CDP-X779ES CD player; SAE T101 tuner; Meitner PA-6i (factory upgraded) preamp; Meitner MTR-101 mono amps; Tannoy DMT 12 II studio monitors; XLO Pro 1200 biwire speaker cable; Museatex "Cryogenic" and Canare StarQuad interconnects; no-name 14" heavy steel, lead-shot-filled speaker stands; home-brew rack with 1.5" MDT shelves; no power conditioner; no aftermarket power cords.

Study: Systemdek (the original, with 11 lb. cast platter), Signet arm, Reson Reca cartridge; Pioneer PD-91 as transport with Monarchy 18B DAC; no tuner; Bryston 11B preamp (with mods to phono stage and second set of outputs); Meitner STR-55 power amp; Tannoy System 12 DMT studio monitors; XLO Pro 1200 full-range speaker cable; Canare StarQuad interconnects with Neutrik ProFi RCA plugs; no power conditioning; no aftermarket power cords; speaker stands made of cedar four-by-fours and sheets of MDF.

I do also have a pair of Tannoy 3836 drivers for which I've built crossovers and for which I'm contemplating building new "DMT 15 clone" enclosures from a schematic published on the Internet. At the moment, however, these are not in use.

Overall, I think the most cost-effective investment for me to improve the quality of recorded music in my home would be to have a studio professional undertake a complete acoustic room treatment. However, I move too often to make this investment worthwhile.

Happy listening all!

Regards,

Joel.