"Trickle up" theory


I notice that while all my cheap 'tables time well, many expensive ones do not. I'm tired of this "trickle-down" crap the audio press feed us, thus implying that all the more expensive equipment is intrinsically superior to the budget equipment, and in the process training us to want all that expensive equipment which is so "superior." The fact of the matter is, that most budget equipment gets the music right, if with various distortions (for instance my sister's cheap Sony ghetto-blaster always makes me want to dance), and that what is actually needed is "trickle up", a preservation of the essential timing of music which budget components so often get right. I am not saying that all high-end equipment is crap - some, like Conrad-Johnson, excel at this musical magic - but the fact is a large number of high-end manufacturers need to examine what makes the budget equipment so musical (that magic which came from the first quality budget components which got us hooked on this hobby in the first place), and apply it to their cost-no-object creations! We need that musical magic to go along with all that tonal correctness and detail. Raise your hands all those who bought expensive equipment only to end up missing their cheaper components. My only purpose in writing these things is to advance the sate of the art, by encouraging a re-examination of the way we think about things. Looking at things from different angles is how to gain the fresh outlook needed for new ideas, and an improvement of the art. And also ensure that the next peice I buy will have the magic first, and all the audiophile goodies after.
johnnantais
NRenter sez:

"Maybe we need to listen to more music while lying on the floor, studying the LP cover like we used to "back in the day.""

I'll second the suggestion of a large dose of THAT! :-)
I second Nrenter's motion. I know my system is right when I can lie down on the couch, forget about the sweet spot, and listen to hours of albums. And oh, he's right about the beer too. Perhaps I have read too much of Art Dudley's stuff, Drubin, after all!
"Why do you think it is that you have that experience at Jeff's? And do you ever have it at your place?"

Great follow-up questions.

1) Part of the reason I enjoy an environment like that is because of the company I keep while listening to music in that environment. I like listening to music with someone who is passionate about music. I like to be given a tour of their music collection - allowing them to share music that they are passionate about, and pointing out what makes them passionate about that particular music. Some of my favorite LPs were introduced to me this way.

Also, I have no obligations while listening to other's systems except be a polite and thankful guest (sometimes I'll bring something interesting musically to share, but most of the time I allow the host to DJ). The child running around isn't mine. The dishwasher isn't mine. That pile of clothes that needs to be put away isn't mine. This allows me to relax and bathe in the music. It's a nice escape.

2) When you host a party, you want everything to be perfect. Perfect food. Perfect drink. Great converation. Interesting guests. Etc. You worry about everyone else having a good time that you yourself do not have a good time. I think this may occur when listening to my system with others.

Also, sometimes when listening to my system, I tend to be overanalytical and overcritical of the system and production ofthe music, and not pay as much attention to the music itself. This is a bad habit that I picked up in college while working as a recording engineer. I focused on the mix and not the music (which is very unfortunate because I recorded some great performances from wonderful performers).

Now, would I trade my system for Jeff's? No way in hell. But my point is that the problem lies with me and not my system. Gimme another Bud...that'll fix it all.