Correct on K-01 breakin.I suggest the following:
Set device to
4X upsampling,
S_dly2 filter,
digital out active,
display dim automatically after 5 or 10 seconds.
Connect K-01 via XLR outs to Criterion... Simultaneously with SPDIF to OV... The two outputs can be broken-in in simultaneously.
Give the newborn a steady diet of high-fiber material for 1K hours.... E.g. Stravinsky Rite of Spring, mixed with a bit of Purist Break-in CD, may be a touch of punk rock for good measure.
Teste taste periodically the results on the two outputs.... Note that for best results on the XLR outs, the digital outputs should be deactivated during critical listening.
After basic break-in, each further filter/codec that you wish to develop to its full potential, requires its own 500 hours. So....
500 on DSD
500 on FIR2 + 2X upsampling
I am not sure if FiR1 and S_dly1 require thir own independent breakin time.
Saluti, G.
Set device to
4X upsampling,
S_dly2 filter,
digital out active,
display dim automatically after 5 or 10 seconds.
Connect K-01 via XLR outs to Criterion... Simultaneously with SPDIF to OV... The two outputs can be broken-in in simultaneously.
Give the newborn a steady diet of high-fiber material for 1K hours.... E.g. Stravinsky Rite of Spring, mixed with a bit of Purist Break-in CD, may be a touch of punk rock for good measure.
Teste taste periodically the results on the two outputs.... Note that for best results on the XLR outs, the digital outputs should be deactivated during critical listening.
After basic break-in, each further filter/codec that you wish to develop to its full potential, requires its own 500 hours. So....
500 on DSD
500 on FIR2 + 2X upsampling
I am not sure if FiR1 and S_dly1 require thir own independent breakin time.
Saluti, G.