Linn Components


Ok guys a little honesty will go a long way. I’m just wondering why Linn Gear in general is not well regarded, known or liked by many. I myself love the Linn sound, which in my opinion is more true to the music than most of my friends systems. I am not going to mention names of components as all of us have different tastes. I’m tired of having to explain why I have chosen Linn.

Ross
rossq
You guys that are members of an audio club really need to borrow a couple of tube preamps to try with an otherwise all Linn system. The increase in speed, clarity, dynamics and resolution is stunning with even a mediocre line stage tube preamp. The preamp I got for a final solution is a Supratek Syrah. They don't come cheap unless one considers the value of the incredible phono stage and has a quality analog front end. Otherwise, some other choice may be equally satisfying and considerably cheaper. I suppose that the tube bloom, etc. is there in the midrange as with any such preamp but the improvements that mean the most to me are highs that seem to go on forever and bass articulation that rivals some of the best I've ever heard. The proper decay of notes is simply amazing. The improvements far exceed the cost of admission here.

I had tried several less expensive preamps and most worked pretty well. The only caution I can express is matching the preamp output voltage to that required by the amps. I did purchase a new preamp, asked the right questions about matching to only find out the output voltage was too low. This particular product had a 30 day money back promise I took advantage of with no heartburn on either side of the transaction.

My eventual purchase of the Syrah had more to do with being done with the search than in poor preformance of other preamps. I really dislike swapping components into my system for evaluation. I'd previously borrowed the Syrah and knew how great a match it was so when it became available I jumped on it. Certainly, if one had the time and only had use for a line stage a much less expensive piece could be found with equal preformance.

To my ears all of the Linn characteristics we love were retained by this change. The improvements were in the areas we all could agree upon. It's a no-brainer for me. It makes your mid level Linn gear sound like the top flight components Linn offers.
I heartily agree with Lugnut. I tried my first tube pre-amp in 1984 and haven't gone back. Now have a Joule Electra LA150 mkII and it's superb. Makes wonderful music.

I think the Harbeth C7s need a good amount of power, though, and am just today gettin' the itchin' to check out a 100wt tube amp.
Okay,Pat,you win. I am slow on the uptake, but I am finally getting the message. I'll try more tube preamp auditions and then get back to you.
I really like Linn gear, too, and have had the Majik, the Karik and the Sekrits, which are fabulous little speakers. What I don't like is that Linn USA won't deal directly with customers on service issues; you have to go through a dealer. Kind of a pain for a used-equipment buyer. Linn's reliability ameliorates that issue, but my Karik did have a problem, and I had to go through my Linn dealer and get a little lecture on buying used equipment.