From Krell to McIntosh - Anyone?

Dbld... If the audio ferry showed up and said Im trading your 602 for a FPB 400CX, I certainly wouldn't be sad... I would be one smilin SOB. I think they would sound great with my Eggleston's.

Since I have not heard a Krell in my system, I apologize for sounding so definitive. My sentiments are more theory than experience.

I hear you Lokie. Aaaah...the problems we face in high-end audio...Krell or McIntosh? Either way, it is better than the old Technics Receiver I had in high school.

I am sure I am not the only one here who's wife thinks (is convinced) I'm nuts.

Just yesterday..."Honey, what the heck are those things on the windows downstairs?"

"I put them on because they are supposed to help dampen the vibration and keep the glass from resonating, and that will help improve the sound from my stereo..."

I answer in some detail all the time now in hopes of someday she'll know not to ask in the first place.

Fortunately, even though I told her (i.e. got permission) she never noticed when I changed the Mac to the Krell... [I know what you all are thinking...see what I mean].

BTW - those things on the windows didn't do squat.

I don't get the attraction to Krell. I have owned a number of Krell products including their SACD Standard, 400xi Integrated and have demo-ed the Krell Resolution 1. I understand and respect that music equipment is like art and different people hear differently. But I find the Krell sound detailed but boring. Not to mention their SACD Standard had quality issues with their transport. McIntosh, I find quite the opposite, I can listen to McIntosh stuff for hours, not to mention their good looks, build quality and they dont really lose their value. You asked specifically about the MCD-201. The player has gotten mixed reviews but I have seen a few of these here on Audiogon for $2300-, it's hard to go wrong with these prices and of course the 501's/1201's are state of the art.

I have not heard either Krell or McIntosh in a good while now, but I do care about music reproduction in the home. I do not post much because I seem to identify very little with the majority of descriptions I read here (or on the Asylum). Mine does not not necessarily hold merit over anyone elses, but my position would be that the amplifier which imposes the least amount of its own character on the signal is the better amp.

To compare, remember some of the characteristics of live performances that were captured in memory. We may not have tremendous aural memory, but we should remember character (sights, sounds tastes, etc.) I may not exactly remember the sound of a bass, but I do remember the character of that sound, even as I struggle to describe it. I have never heard live music sound, whether vocals in a great chapel, symphonies in an auditorium, blues in a club, or rock in an arena, anything like some of the descriptions I read about the sonics of audio components.

Another help might be to understand something of the recordings. I am not a recording engineer or any expert, but I have performed for live audiences and been recorded. Also, when I assisted someone recording symphony concerts, the placement of the mics made it rather impossible to have a mid-hall perspective (or even 3rd row) from any system approaching neutrality. The mics were placed above and just forward of the stage, well before the first row. When sitting in the audience, I noted the bite and edge of the orchestra when it reached musical climax. I also heard that bite and edge (and somewhat close perspective) while listening to the mic feed though headphones.

Of course in reality I can be flawed, but I really enjoy good performances of various kinds of music. Not all performances are good (many just suck) because it takes a real connection to lyrics/melody, or to a violin [for instance] to be able to communicate the message. And that's what I want to hear - the real message. I do not want to anger or offend anyone. Believe me, I am a nobody, but I want to encourage equipment manufacturers to strive for honest neutrality. Not every recording can sound like a live performance, they are, after all, a recording. But they should come close to capturing the intent of the music (the artist's intent). Oh, and manufacturers should bring your prices down.

I appologize for the semi-rant and length.