Not surprising that the cartridge could track low freq better with a system natural at 5Hz; because that is further away from the 20Hz+ musical frequencies. It could be ideal if not for the other parameters that must be addressed, ie. warps in records, runout, external vibrations such as foot falls and rumble. The author of that article looked only at one parameter. I also think that stylus design/shape is a factor too for both low and high frequency tracking. Some stylus shapes definately work better than others.
progress?
I know this subject has been visited and revisited. I'd like to approach it from a slightly different perspective. This is regarding the infamous Telarc 1812 overture with the digital cannons. In 1979, I purchased the recording and played it entirely satisfactorily with my Technics SLD2 or Sony PSX7 and Shure cartridges: M95e, V15III, etc. My AudioTechnica 12XE and 12 SA played it as well ,also MicroAcoustics, Acutex, and ADC cartridges without problems. Skip to 1984 or so; with the CD age, you could buy at thrift shops many by then older turntables: Onkyo, Pioneer, Sansui, Kenwood, Technics, Yamaha, etc. Well, those sometimes $10 or less turntables could also play the cannons without problems with the aforemention cart's without bouncing out of the groove. Ortofons or Stantons, even the 681EEE, could not do so unless you brought in a turntable with a servotracer arm [JVC, Denon, Sony, etc.] Keep in mind the total cost at thrift stores would be less than $50, whereas brand new equipment might have run as much as $200. OK; Look at today; I have had turntables from VPI, Project, Music Hall, Rega (3) priced from $1000 to $3000 which look silly when trying to play the 1812 Telarc cannons! This is progress?, I would like some input, and I'm fully aware of phono cartrige compliance assues,and tonearm weight, ec..
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- 25 posts total
- 25 posts total