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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
rok2id's avatar
rok2id
4,494 posts
 
It's good to see them 'live' sometimes.

https://www.youtube.com/watch?v=NTJhHn-TuDY

https://www.youtube.com/watch?v=3drqJ1bUmEA

https://www.youtube.com/watch?v=pA0NLq-72UU

https://www.youtube.com/watch?v=G6uhYumhlnE

https://www.youtube.com/watch?v=lM5Cj8yFkOQ
who is the skinny kid on trumpet??

https://www.youtube.com/watch?v=T2_9Rkk4f_g

Cheers
orpheus10 OP
5,988 posts
 

I listened and I listened, then I listened some more; I never got tired of listening, and she never got tired of coming up with new ideas. We're talking primarily bass and piano, with 3 vocals out of 17 tracks; one where Mary Lou sings "My Mama Pinned a Rose On Me", she got a big kick out of that one.

Every tune affected me in different ways; after I found out "Dirge Blues" was written for President Kennedy, I began to hear it differently; it's a blues with the sad cadence of that flag draped coffin that was carried on a horse-drawn caisson to the U.S. Capitol to lie in State. That was a sad day that poor people will never forget.

The way she can go from blues to boogie, and back to blues, or blues and boogie at the same time, is absolutely amazing. While all great pianists stand out, every note of her's seem's to ring with "Here I am, Mary Lou Williams, the little girl whose Mama pinned a rose on her"; I mean she reminds me of no one I've ever heard before, or will hear after her.

I have no idea why I didn't discover her before now, or that I knew so little about her music, but I just forgave myself, because now I have her.

Enjoy the music.
orpheus10 OP
5,988 posts
 

Rok, I have a few LP's of Tania Maria, she seems to have gotten better; even though this is old, it's more recent than my LP's, I like it; but I seem to like everything "Brazilian".

Thanks for posting this, I will definitely add her to my collection in a big way; she takes to me to places where one can feel cool ocean breezes under swaying palms while sipping on a "pina colada", and gazing into romantic eyes. (I can dream can't I).

Enjoy the music.
rok2id's avatar
rok2id
4,494 posts
 
Today's Listen:

Wayne Shorter -- NIGHT DREAMER and THE SOOTHSAYER

Two of my most recent purchases. Both first rate. Fairly decent personnel.

Lee Morgan, Tyner, Reggie Workman, Elvin Jones
https://www.youtube.com/watch?v=kV6pfX5jZZY

Hubbard, James Spaulding, Tyner, Ron Carter, Tony Williams
https://www.youtube.com/watch?v=2sILVtOKhVs&list=PLBC4D94E0DBBC80D1

Cheers
rok2id's avatar
rok2id
4,494 posts
 
Always had an impression of Tyner as a no-nonsense type player. Maybe because I felt that way about Coltrane. O-10, it looks as if you and I are not alone in thinking Trane went off the deep end.

Tyner on Coltrane:

His involvement with Coltrane came to an end in 1965. Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones: - wiki

"I didn't see myself making any contribution to that music... All I could hear was a lot of noise. I didn't have any feeling for the music, and when I don't have feelings, I don't play."

[4] By 1966, Tyner was rehearsing with a new trio and embarked on his career as a leader. -wiki

There's that word (noise) again!!

Cheers
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