After the gear/music conumdrum is settled one then goes on to is it the recording or the conductor or the interpretation. Then is this or that soloist doing damage or unimaginable creativity and beauty to the music, such as the difference between Richter and Giles on any given piece. Then there is the hall, the studio, any artifacts, and on and on. Is it better live in a poor venue or from a fair studio but wonderfully recorded? We perceive what we do, gear can only take us so far, and the same is true of conductors, soloists, groups, and halls.
First and foremost enjoy the music all else is nitpicking.
First and foremost enjoy the music all else is nitpicking.