Roger,
"I believe you can have both a neutral system and a natural system. After all - if your understanding of "neutral" means no top end or bottom end exaggerations or no coloration's etc., wouldn't the default term be "natural" as well - meaning that a system that can deliver a flawless performance in your listening room would have to be considered natural?"
Generally speaking, I certainly believe that if you do have a neutral sound then the overall result will indeed be more natural overall, no question...and as far as that goes, I would add that there would also be more realism as well. At least, that's what I'd say I am experiencing here. But, the idea of neutrality as a separate issue was raised that way in the OP and that was the way I was responding to it...but, yes, I regard it as simply an integral part of the whole. But, if you ask me, I would think that trying to pursue realism and naturalism without neutrality might make for a little tougher sledding in the long run, but to each his own, I suppose.
"This is an interesting observation which can mean one of two things.
1. You have very good gear with not too much of a problem with external interference.
2. You have arrived at a combination of gear that has masked the benefits or the "sounds" of either configuration."
Yes, IME I find it's actually a rather striking observation (which is why I made the comment, really), but that has been one of the differences made by Alan Maher here. In truth, I would say I have moderate gear and a greatly reduced level of external interference...far below what is normally encountered. Again that's from the AMD here.
"Except now it is worse because if they upgrade one component that gives them truly better detail, it further exposes a harshness in some component up stream and they either have to get another replacement for it or put the first one back in so it is tolerable."
That is what the AMD here is really all about. It has eliminated that result for me. Instead, all I've had to consider all the technical aspects of system synergy. Reducing the noise in the system's environment wholesale has allowed me to consider a far wider range of equipment without ever running into the "harshness" conundrum. It even allowed me to use less expensive gear and get stellar results.
"When someone gets the bug be can't afford much, the old guys tell the newbees how to get the best sound for the buck. You simply get a "bright" sounding preamp to drive a "good" power amp with poor top end that emphasizes the mids and bottom end. This uses one component as pre-emphasis and a second for de-emphasis. You end up with the perfect mix of zig and zag and you save a lot of money. Yes?
Well, it might be a good place to start but it will be quickly disappointing.
It is hard to fool your ears with anything that contains distortion - even if it is the "good" kind."
Agreed, this is always worth avoiding...although to be fair, the old guys, whenever they may be handing out such advice, are usually up against the most severe budget restraints of newbees when they do so, but personally, I'm with you.
Regards
John
"I believe you can have both a neutral system and a natural system. After all - if your understanding of "neutral" means no top end or bottom end exaggerations or no coloration's etc., wouldn't the default term be "natural" as well - meaning that a system that can deliver a flawless performance in your listening room would have to be considered natural?"
Generally speaking, I certainly believe that if you do have a neutral sound then the overall result will indeed be more natural overall, no question...and as far as that goes, I would add that there would also be more realism as well. At least, that's what I'd say I am experiencing here. But, the idea of neutrality as a separate issue was raised that way in the OP and that was the way I was responding to it...but, yes, I regard it as simply an integral part of the whole. But, if you ask me, I would think that trying to pursue realism and naturalism without neutrality might make for a little tougher sledding in the long run, but to each his own, I suppose.
"This is an interesting observation which can mean one of two things.
1. You have very good gear with not too much of a problem with external interference.
2. You have arrived at a combination of gear that has masked the benefits or the "sounds" of either configuration."
Yes, IME I find it's actually a rather striking observation (which is why I made the comment, really), but that has been one of the differences made by Alan Maher here. In truth, I would say I have moderate gear and a greatly reduced level of external interference...far below what is normally encountered. Again that's from the AMD here.
"Except now it is worse because if they upgrade one component that gives them truly better detail, it further exposes a harshness in some component up stream and they either have to get another replacement for it or put the first one back in so it is tolerable."
That is what the AMD here is really all about. It has eliminated that result for me. Instead, all I've had to consider all the technical aspects of system synergy. Reducing the noise in the system's environment wholesale has allowed me to consider a far wider range of equipment without ever running into the "harshness" conundrum. It even allowed me to use less expensive gear and get stellar results.
"When someone gets the bug be can't afford much, the old guys tell the newbees how to get the best sound for the buck. You simply get a "bright" sounding preamp to drive a "good" power amp with poor top end that emphasizes the mids and bottom end. This uses one component as pre-emphasis and a second for de-emphasis. You end up with the perfect mix of zig and zag and you save a lot of money. Yes?
Well, it might be a good place to start but it will be quickly disappointing.
It is hard to fool your ears with anything that contains distortion - even if it is the "good" kind."
Agreed, this is always worth avoiding...although to be fair, the old guys, whenever they may be handing out such advice, are usually up against the most severe budget restraints of newbees when they do so, but personally, I'm with you.
Regards
John