A bit perplexed at the OP's presumption that those who prefer a musical sounding system, don't also appreciate a large deep and accurate sound stage, dynamics and musical detail, or that their systems are, somehow, lacking those qualities. One of my favorite speakers was my Quad ESL63s. In my home, with a fairly large listening room, they just made good recordings of live acoustic music and vocals, sound more real and enjoyable than most everything else I compared them to. Regardless of how much one likes detail and dynamics, a trumpet doesn't have to blast in your ear to sound like a trumpet and a drum doesn't have to crack in your face to sound like a drum and Live Music, as I have heard and I've heard allot, sounds full, rich and harmonic, with an abundance of texture and ambiance. I don't believe I've ever heard a live acoustic performance that sounded lean or sterile. For the most, they just sounded, well - "Musical"...just sayn...Jim
Two Type of sound and listener preference are there more?
In our thirty years of professional audio system design and setup, we keep on running into two distinctly different types of sound and listeners.
Type One: Detail, clarity, soundstage, the high resolution/accuracy camp. People who fall into this camp are trying to reproduce the absolute sound and use live music as their guide.
Type Two: Musicality camp, who favors tone and listenability over the high resolution camp. Dynamics, spl capabilty, soundstaging are less important. The ability for a system to sound real is less important than the overall sound reproduced "sounds good."
Are there more then this as two distincly different camps?
We favor the real is good and not real is not good philosophy.
Some people who talk about Musicaility complain when a sytem sounds bright with bright music.
In our viewpoint if for example you go to a Wedding with a Live band full of brass instruments like horns, trumpts etc it hurts your ears, shouldn’t you want your system to sound like a mirror of what is really there? Isn’t the idea to bring you back to the recording itself?
Please discuss, you can cite examples of products or systems but keep to the topic of sound and nothing else.
Dave and Troy
Audio Doctor NJ
Type One: Detail, clarity, soundstage, the high resolution/accuracy camp. People who fall into this camp are trying to reproduce the absolute sound and use live music as their guide.
Type Two: Musicality camp, who favors tone and listenability over the high resolution camp. Dynamics, spl capabilty, soundstaging are less important. The ability for a system to sound real is less important than the overall sound reproduced "sounds good."
Are there more then this as two distincly different camps?
We favor the real is good and not real is not good philosophy.
Some people who talk about Musicaility complain when a sytem sounds bright with bright music.
In our viewpoint if for example you go to a Wedding with a Live band full of brass instruments like horns, trumpts etc it hurts your ears, shouldn’t you want your system to sound like a mirror of what is really there? Isn’t the idea to bring you back to the recording itself?
Please discuss, you can cite examples of products or systems but keep to the topic of sound and nothing else.
Dave and Troy
Audio Doctor NJ
- ...
- 151 posts total
- 151 posts total