Dude... Ain't no footers in the universe that could fix what I heard. Unless the amp was malfunctioning to the extreme, it wasn't that either. It was a big SS amp that they also powered their big B&W's with. It was their biggest, best treated room, the same room other speakers I've heard sound great in. My listening spaces tend to he far less than ideal but I've never heard a room make speakers sound that lifeless and uninteresting. I've never heard an amp make speakers sound that bad unless somebody was deliberately trying to horribly mismatch them. And the fact the shop was ready to shove them out the door for half price and there still not gone makes me think they can't be made to sound good. Why would anybody slash half off the price before they moved some gear around? That just doesn't make sense. This place has stacks of Mc everywhere you turn.
Paradigm Persona series
I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
- ...
- 312 posts total
- 312 posts total