Try a different turntable?


Ever since getting into audio, I've owned a VPI turntable (HW19 upgraded with heavier platter, SAMA, JMW arm). It sounds good, without question. But I've been curious about other TTs that (folks say) come from a different design philosophy--Linn and Rega are often mentioned in this connection.

For the next two years, I am in the fortunate position of having two stereo systems; then I will retire and consolidate into one house and one system. I've set up my second system except for vinyl. What 'table/arm combos would folks recommend as an alternative to the VPI (at about the same price)? Ideally also it would be a tad smaller than the big VPIs since I have less space in the retirement home.

I listen to a little of everything, but like acoustic music (classical, folk, jazz) best, and am looking for a setup that will really connect with the music.

Thanks for suggestions!
magister
I had them a year apart. The Lenco was definitely quieter - it was silent - but it was also in a massive slate plinth and the total cost over the Thorens setup was double. The Thorens is still very quiet.

I can't speak beyond that due to the time difference and the fact that they had different arms and carts.

If you want the top-tier solution (and no effort required) the OMA Lenco might be impossible to top.

I intend the Thorens to be my last table. Unless something breaks that I can't fix or get parts to fix.
quote lewm: "The stator or magnet part of the motor is actually part of the inert platter itself or is firmly mated to it."
I assume this is when it is both inert and in motion, either way how could it be any more directly-coupled than that? The principal problem with direct drive turntables when they were introduced was 'cogging' created by movement between the magnetic poles of the motor. So they reduced the problem by adding additional poles to the motor. I think around 24 was thought to be enough, however that's still 24 cogs in around 2 seconds. I can think of 1 high-end DD turntable manufacturer only(Goldmund) and one other mass-producer that has a quite romantic following (more initially with DJs) and I understand they have announced they are going to discontinue building their tables (notwithstanding the vinyl resurgence). Their romantic resale value should rise even more accordingly.
As far as rim-drives go, this is mostly a market of diy/garage builders based around 40 year old designs
rebuilding salvageable $50 (c 1960)tables. Oh, I do hear VPI offers a rim drive option on one of its pricier setups. Either way, its a wheel, directly driven by a motor and the wheel makes direct contact with the platter.

Anyway, I actually am thinking seriously about trying a KAB 1200 myself in one of my systems.
Paul,
Thank you for your reply.
Should I asume that you downgrade from Slate OMA/PTP3/3012 going to Birch Ply TD124/3009 ? Why you do that & if it was really a step down, why then you accept the Thorens as your final TT ?
I'm curious 'cause I've went from the Symphonic Line RG6 to the Thorens TD124 II also, & I've had plans to sell it for a (Nantais REF, OMA Anatase, Dobbins L70, Artisan Fidelity DCHM L75) Lenco. Not 'cause I'm not satisfied,(it makes me smile for the negative progression over it's 45 years) but the Thorens provides a more restricted ground for experiments. It is more intergrated & less tolerable to tweeks within it's limits.
(Of course I've allready modified every possible part of it)
But the main reason is that the armboard can't accept my Pluto 9A without been hardly abused, together with the upper platter. I've put the 12" Reed 3Q & it was a real joy, but my beloved Colibri XPP has to go and my Pluto also.
It's not an easy decision : Thorens/Reed 12"/Goldfinger or Lenco/Pluto 9.5"/Colibri ?
Unfortunatelly I don't have the Lenco to compare, and to keep over than one turntable is out of the question.
Anyway I don't expect to solve this dillema without having both side by side. (this requires to trade my S.L RG6 for Lenco). But I really can't figure why you abandoned the OMA Lenco in favor for the Thorens & the 3012 for the 3009 !

Best Regards
George

{ My apologies to the thread for this out of topic reply. }
Mickeyf, It must be nice to know stuff without actually experiencing it. You can get a job in the circus. I know this is a waste of my time, but please tell me how and why a belt-drive turntable motor is immune to cogging, whereas it is a major bugaboo only of direct-drive (and I suppose idler-drive turntables too, since you seem to know all about them as well). And if you think direct-drive turntables are disappearing as a class (at a faster rate than belt-drives), you are mistaken. I don't think Goldmund has made ANY turntable for years save for a revival of their megabuck Reference, so that is not a good example of a trend. However, visit Teres, Brinkmann, or Steve Dobbins' websites for evidence of new and high quality dd's. Plus note that Teres and VPI (as you do mention) are heavily emphasizing the rim drive option vs their standard belt-drive products. Also take a look at the many rim/idler drive turntables now made by TTWeights. Report back after you have actually auditioned the KAB 1200.
The only thing proven is that DD,BD,ID, can sound good..

I don't think i will be throwing away my Wilson Benesch as i did my lenco 30+ yrs ago. At the time an LP12 would walk all over it. Obvious today that people can and do get great sound from DD, BD,ID tables and we can ping pong the advantages back and forth all night it wont change what people prefer and or like.

Enjoy the moment ...

Regards,