Try a different turntable?

Paul,
Thank you for your reply.
Should I asume that you downgrade from Slate OMA/PTP3/3012 going to Birch Ply TD124/3009 ? Why you do that & if it was really a step down, why then you accept the Thorens as your final TT ?
I'm curious 'cause I've went from the Symphonic Line RG6 to the Thorens TD124 II also, & I've had plans to sell it for a (Nantais REF, OMA Anatase, Dobbins L70, Artisan Fidelity DCHM L75) Lenco. Not 'cause I'm not satisfied,(it makes me smile for the negative progression over it's 45 years) but the Thorens provides a more restricted ground for experiments. It is more intergrated & less tolerable to tweeks within it's limits.
(Of course I've allready modified every possible part of it)
But the main reason is that the armboard can't accept my Pluto 9A without been hardly abused, together with the upper platter. I've put the 12" Reed 3Q & it was a real joy, but my beloved Colibri XPP has to go and my Pluto also.
It's not an easy decision : Thorens/Reed 12"/Goldfinger or Lenco/Pluto 9.5"/Colibri ?
Unfortunatelly I don't have the Lenco to compare, and to keep over than one turntable is out of the question.
Anyway I don't expect to solve this dillema without having both side by side. (this requires to trade my S.L RG6 for Lenco). But I really can't figure why you abandoned the OMA Lenco in favor for the Thorens & the 3012 for the 3009 !

Best Regards
George

{ My apologies to the thread for this out of topic reply. }

Mickeyf, It must be nice to know stuff without actually experiencing it. You can get a job in the circus. I know this is a waste of my time, but please tell me how and why a belt-drive turntable motor is immune to cogging, whereas it is a major bugaboo only of direct-drive (and I suppose idler-drive turntables too, since you seem to know all about them as well). And if you think direct-drive turntables are disappearing as a class (at a faster rate than belt-drives), you are mistaken. I don't think Goldmund has made ANY turntable for years save for a revival of their megabuck Reference, so that is not a good example of a trend. However, visit Teres, Brinkmann, or Steve Dobbins' websites for evidence of new and high quality dd's. Plus note that Teres and VPI (as you do mention) are heavily emphasizing the rim drive option vs their standard belt-drive products. Also take a look at the many rim/idler drive turntables now made by TTWeights. Report back after you have actually auditioned the KAB 1200.

The only thing proven is that DD,BD,ID, can sound good..

I don't think i will be throwing away my Wilson Benesch as i did my lenco 30+ yrs ago. At the time an LP12 would walk all over it. Obvious today that people can and do get great sound from DD, BD,ID tables and we can ping pong the advantages back and forth all night it wont change what people prefer and or like.

Enjoy the moment ...

Regards,

The only advantage of BD over ID is the quiet drive. But is NO more a REAL MOTOR DRIVE that operates the platter, actually, exactly the opposite happens : The inertia of the platter guides the belt to creep on the motor's pulley and the resulting speed is (un)controlled by this mix.
But yes, me too I also hear great sound from Micro Seiki, Simon York, Pink Triangle Belt Drives. The point is that most of the critical design decisions by manufactures, are DIRECTED BY THE PROFIT & this is the only reason that we were stacked in progress for 3 decades.
And please Weseixas, you are not alone doing a wrong move downsising your source, me too I change my Denon DP 80 for an inferior Belt Drive, but today I've found the courage to accept my mistake. But NO. DO NOT mention the F***ing LP12. It is the master of this disaster that we pay for all these years of blindness & manipulation.
"What the people like" is usualy a manipulated zone at all the expressions of human's life. Of course it's sure enough, if the only DD or ID turntables are vintage & ugly & requiring a huge refreshing effort in order to perform their potentials, it's more than expected, most of the people to discard them as nostalgic & antique items.
It's about time for manufactures to understand that people are asking for new examples of DD & ID at last.
Now I want to dedicate "wooden ships" by Jefferson Airplane to those who keep the faith for a better audio world.

It's really a matter of one's personal taste in music reproduction, ancillary equipment, etc. I certainly agree that any of the 3 technologies can be made to sound very good such that there will be some among us who prefer any one of the 3 over the other 2. Funny you should mention the LP12. I heard one at RMAF. It caught my attention because I turned to it to see if I was listening to a Lenco. It has the good qualities of a Lenco in an effective plinth, but the properly set up Lenco might give a bit more of what I like. Still, the LP12 sounded very good.