Skeletal vs Plinth style turntables

Its an illusion Henry, just like the hanging balls on my SP10. In the back is a door, it opens up to a beer fridge. A beer fridge for now. It will double as his coffin when the time comes. This is the only reason his wife allowed it in the house. :^)
I am surprised by your picture of the Victor that you only teased us with a glimpse of what is next to it. The now famous Canadian. In an obvious skeletal multi layer plinth.

I do appreciate the added 'warm and fuzzy' feeling this can impart together with the ability to mechanically fix the tonearm pods if their weight is insufficient....but apart from that..

right now in the middle of this cold winter - warm and fuzzy is sounding real good to me.

Parottbee - I found it a bit too warm for my tastes.

Why is it too Warm?

If we look at the bottom left side of the graph warmth is shown in the 150 - 250 hz range.
We all have our own personal tastes, different types of music we like to listen to. If I am with a friend setting up a system and they say something sounds too warm. I am assume it means an over emphasis in this 150-250 frequency range. You can have too little bass and it will over emphasizes the highs, or too much bass and things start getting muddy real quick. Get the bass right and everything will fall into place. With vinyl (due to different resonances, vibrations) you can mess things up really easy; but you can also fix things up as well.
The warmth can be fixed a number of ways. Two ways that might work. Raising the VTA a bit (or) assuming the speaker/amplifier relationship is a compatible one, adjusting the speaker location to the room boundary; or maybe just their angle depending on type of speaker to balance out the sound. If a guy (no woman audiophile would do this?) has 500 lb speakers. What are the chances of him moving the speakers around for adjustment to the best music from different turntables. Some tables produce music that is weightier, heavier, a fleshier sound. There is more meat on the bones. My direct experience in my room, La Platine is one of these tables. It can easily over power the room with too much bass and be out of control. There is a learning curve with it.

Also imo just for thought.
These public chat forums are no different than a bunch of guys getting together for a night of poker. There are different games to play. Some games have cards showing others don't. Some on Audiogon here are showing all their cards (virtual system) others none. Showing a list in a virtual system is one thing. Showing a room picture showing speakers and walls is the real deal. Showing this info allows for a better sharing of info and learning -

Dave G - WOW Big News. This audio business is crazy. As far as a I know no one is getting rich on it, and it is IMO all about audio passion. You have my utmost respect for entering it like everyone else. I have been asked to become a dealer 4 times. I turned them all down for personal reasons.

Wonder how many professionals (manufacturers, dealers, distributors, special interest individuals) are on this thread so far ?

Hmmmm...

Cheers

Halcro, I can't make out from the photo how that cutting lathe is set up. Our lathe incorporates the platter bearings and the bearing track for the cutter head itself as a single piece of metal (which is quite massive).

With regards to the photo of your 'table, if it were me I would have not employed a tower and armboard to mount the arm, instead I would have affixed the arm directly to the plinth, which, in order to accommodate the platter as shown, would have been rather massive. The reason for this is that the tower and armboard both represent moment arms which can vibrate interdependently of the plinth itself. A simple test for this would be to tap the armboard with a metal instrument and then compare to the tone thus created when tapping the plinth. If different, a coloration is imparted.

Halcro, do you have any idea how that tower plinth builder now has access to bolt/unbolt the motor unit or change wire with the tonearm if necessary?

Form does not seem to follow function?!?

Atmasphere,
It appears to me (from the photo of the lathe) that the platter support is inside the supporting base which must also enclose the drive system.
The cutter appears to be mounted on a 'rail track' fixed to the surface of the base which allows positioning and clamping of the cutter machine.

I'm not sure I follow your directly fixed arm description for my set-up...?
Could you perhaps elaborate....👀❓
I tapped the armpod and shelf (plinth) with a metal object whilst the stylus was on a stationary record...and the tone of both was near identical.
Whilst no sound was heard through my speakers when the shelf was tapped...a very slight 'tap' could be heard from the midrange driver when the armpod was tapped.

Pryso,
I imagine that the Victor TT is simply 'sitting' on the plywood plinth (as it sits on my stainless steel cradle)....but I can't envisage that the power cord exits at the base of the 'coffin'...❓
There are probably holes in the rear of the plinth for the exit of the power cable and also any tonearm wiring.....although with most modern arms the cabling is above the plinth.
Otherwise Chris may be correct.....there is a large door at the rear for the storage of beer....😜