Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
O-10, there is a saying/joke among musicians re the four stages of a musician's career that goes like this:

- "Who is O-10?"
- "Get me O-10!"
- "Get me somebody that sounds like O-10"
- "Who is O-10?"
:-)
"A player who didn't get his due"

If you didn't want to play the normal game, move to New York, and tour, you would be unavailable to play when people needed a musician. We would not know who Pepper Adams was, because he was in Alabama. Any time you are "not available ", people think of who is available, and the great player in Alabama is forgotten, except to aficionados.

A couple of local legends from the Dallas area, who would fit this criteria would be Big Al Dupree and Marchel Ivery. I would add James Clay but, he missed a lot of time for drug use. Same out of mind situation, but different reason. This is just this one area.

I will close my coffee rant with a question. What would have happened to Ornette Coleman if he stayed in Fort Worth?
A story to support Frogman and O10,

When I was younger, I taught myself how to play the tenor sax. Not very good, but I loved to play. I rejected the whole playing in cords idea, because I was free to play what I wanted (BS). I could play all kinds of patterns, because my mind saw math when I played, and it sounded ok, by myself. When I tried to play with anyone else the free idea did not work. I played for my family and friends a few times and they did not get it.

I , suddenly lost any desire to play and never played again. My friends and family now talk about how good I was, and with out playing anymore, l get better every year.

I think by the time I die, I will be a legend. 😂
Accounting for the universal truth that there are exceptions to every rule, what would have happened to Ornette is that he probably would not have become what he did as an artist. Why? Because greatness doesn't happen in a vacuum. A musician needs to be where he is going to get his ass kicked and being a big fish in a small pond is seldom the way. No one is saying that there aren't really good players in smaller towns. We love our local heroes and many are really good players who could probably reach even higher levels of ability if they were in an environment where they weren't the best player in town and where the scene is so vibrant that creativity is inspired. Imo, we tend to romanticize their place in the grand scheme of things. Good players, yes, some of whom could be one of the pool of really good players in scenes like NY, LA, Chicago etc.; but, players like Pepper Adams or Ornette are at the very top of the heap (in very different ways; duh). Players of that caliber usually feel that that HAVE to be in a place where they can grow; it's not an option for them. Imo, that hunger also says something about their potential. IMO.

Thanks for the nice personal story.
'The idea of forgotten player' is a thought that comes to me quite often, more so when man digs deep into world of jazz. Aldo Frogmans explanation is quite logical, my personal perspective is somehow different, and I would like to share some thoghts on that matter. One thing that remains unknown to me is a question if somebody was 'the player' during some specific time, and later, during time and with a lack of interest for jazz music in general, faded into oblivion, or maybe one was never at all under the spotlight. For those informations I would appreciate the thoughts of ones whe were the witnesses of that time, like O-10. The obvious fact is that even the 'wellknown' figures led a hard life, and numerous others who perhaps were equally good players, never made it, for one reason or another, and that happend more often than is possible to blame on someones lack of musical expertise. So, I would like to start a discussion about it, and will post few clips, with players who are not so 'popular'. (guess that word popular is oximoron in jazz)
Todays start, will begin with few guitar players

Thornel Schwartz, recorded many early albums with Jimmy Smith, and with other great organists as well. Made only one album as a leader, as far as I know.

https://youtu.be/8tgpOBAZ1hE

Ray Crawford, played with Ahmed Jamal trio, with Jimmy Smith as well, and so on, again, only one album as leader

https://youtu.be/fka0tp0WGPs

How about Dempsey Wright? I think the west coast guys on this record would not keep him company if he is no good.

https://youtu.be/Y96sawbRZe0

Skeeter Best? Eddie McFaden? No albums at all, and yet, great players. Imho the list is long. Looking forward to hear some other suggestions