Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Grant Green was a great jazz guitarist and I really like many of his recordings.  However, it would be foolish to think that every player can play in every style equally well; few can.  Personally, I don't feel that Grant Green's playing in "soul-jazz", "funk", "whatever one wants to call it" style is on the same level as that of the two other guitarists mentioned, George Benson and Wes Montgomery.  That's not to say that his efforts in that style were not good; simply that they weren't as convincing as those of other players playing that style.  I don't know why Blue Note didn't release some of his records after recording them, but I can surmise:

Grant Green's "His Majesty King Funk" was, in fact, released the same year that it was recorded (on lp of course).  This was the same time period that George Benson was making quite a name for himself with Brother Jack McDuff and his own "Cookbook".  It's a good record and as Alex points out has some catchy tunes.  But it's not a great record, regardless of style, and it has some problems; some of which have nothing to do with Green.  The rhythm section is not as tight as others in that style and they sound a little sloppy, and Harold Vick on tenor was a bad choice imo, sounding weak and unconvincing.  This record is on Verve and I have not heard the Blue Note recordings that O-10 refers to, but if this Verve recording is any indication of what some of those Blue Notes are like, I can see the powers that be at Blue Note deciding that those records simply couldn't compete in the marketplace with records and younger players like this:

https://m.youtube.com/watch?list=PL911F2BE54808509A&params=OAFIAVgL&v=6ILWPfmIvys&mode=N...

To me, this is simply better playing in the funk/soul-jazz style, all the way around (George Benson was 21!):

https://m.youtube.com/watch?v=J-_ccqV-AdU




***** I'm going to assume that means the evaluation and review of Mr. Silver is concluded.******

Not so fast my friend.   You have not even mentioned some of his best LPs / CDs.  Examples:

Blowin' The Blues Away
Six Pieces of Silver
The Tokyo Blues
etc......

I am currently listening to "In Pursuit of the 27th Man".  Will report tomorrow.

And you can't leave Silver without mentioning the Dee Dee Disc.

There is a reason folks don't get into the giants,  it's just too much.  Wanna try Ellington?

Cheers
Soul Jazz:

May I recommend Houston Person and Joey DeFrancesco.   Can't have Soul-Jazz without great Sax play.

Cheers

Frogman, that record had absolutely nothing to do with the discussion concerning "Blue Note".

It's quite evident that you know almost nothing about Grant Green; maybe you should read over the music posts.


Enjoy the music.