2. music
  3. 1361722327

Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
orpheus10 OP
5,988 posts
 

Ghosthouse, the factors that go into whether or not we like music are enormous, and the majority of them are emotional; either it connects or it don't. While I think "Theme In Search of a Movie" is exceptionally beautiful, it leaves you cold; what's objective about that?

Maybe technically it's good music, but Frogman is the only person on this thread who could answer that. Could that be the reason he's so persistent in regard to the "objectivity" of music. You got bad taste Ghosthouse, Frogman liked it. (just kidding)


Enjoy the music.


ghosthouse's avatar
ghosthouse
3,718 posts
 
"You got bad taste Ghosthouse...".

Oh, I definitely got questionable taste from time to time and I could give you examples but won't!  But that's the whole point about hanging out with people that know more and have better taste.  Maybe some of that good stuff rubs off.  

(But the kicker is, you got to have enough brains and good taste to figure out who they are in the first place!)


frogman
4,637 posts
 
And THAT, ladies and gentlemen, is one of the most refreshing posts I have read here. I have said the same thing (perhaps different words) several times. Our growth as listeners is a never ending process.  My hat is off to you, Ghosthouse.  
frogman
4,637 posts
 
O-10, thank you for the recent even-handed and reasonable posts/responses.  There's really little I can disagree with in your recent posts directed at me.  Our "lovey-dovey" (to quote Ghosthouse) loses a bit of steam in your last post (to Ghosthouse) however.  It is not that I am "so persistent" re objectivity in music.  From my vantage point, the truth is that you are so persistent re subjectivity in music.  Both subjectivity and objectivity can have a place in how music is perceived.  I bring up the subject of objectivity (in CERTAIN ASPECTS of music), almost without exception in response to your claim of subjectivity.  

BTW, I think you give me too much credit.  I have read many comments here that point to a good understanding of some of the "technical" aspects of music.  Still, I think we are moving toward a better understanding of each other's point of view.  Can't argue with that.  Regards.

rok2id's avatar
rok2id
4,494 posts
 
There is no relationship between 'knowledge' and 'taste'.   Every piece of NOISE ever written, was written and played by people who knew more about music than anyone on this thread, save the oracle of NYC.

Music is neither good or bad, until it reaches the ear/brain system.  The decision is made at that time.

Billy Ocean -- Great stuff at the right time and place.   Not for serious listening, but perfect for the disco dance floor.   Brings back the memories.  But given the visuals, who would think to critique the music?

Also we should consider WHY music was written / created.   Some change is gradual and logical, and some is deliberate, for various reasons.   For instance, why, did Miles start playing crap?  I consider that when I judge music.

Other than all these errors, I agree with you all.

Cheers



More to discover