Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Frogman, there is no such thing as "jazz" that one can refer to in any meaningful way; latin jazz, acid jazz, dixie land jazz, and on and on; what are you referring to?

I consider Charley Parker as "The Creator" of my kind of jazz. "Birds" racial lineage is mixed up with who knows what? Therefore you can not attribute any factor regarding "Bird" to Africa, other than the color of his skin, and when you discover there are some black people who are more Caucasian, than some white people, color of skin really gets flakey.
Everything that I am referring to is musicological and there is a tremendous amount written on the subject and it frankly always surprises me that there is so much misunderstanding about this. I understand that you feel "your kind" of jazz began with Parker, but to suggest that he "created it" (bebop) without the lineage of influence that preceded it, all the way back to Africa and other places, is simply scratching the surface of the reality of it all.



Frogman, since I am not a musician, you are going to speak a language that I have no comprehension of, and submit that as your proof, when it's for sure I can't refute it. I stand by what I hear and consider that as proof.

"Bebop" is a long way from Africa according to my ears.
What did not survive slavery:

Language
Religion
Social Mores and customs
Music 
History
Culture in General

What did survive slavery:
Bebop

Cheers

Btw, think how nice it would have been if those slaves had been playing Fusion in Africa.   We could have lost that crap also.



Now that you mention it Rok, Fusion did not survive the transition from records to being down-loaded to the computer.