frogman,
Perhaps I hastily judged the title in question. I did listen to the rest of it and found some tracks to be very good (the tracks without the sonic pyrotechnics). Sound quality is excellent overall.
However, I notice that many "modern" jazz titles of late are using electronic grunge far too prevalently (for me), some of which are nearly devoid of what I know as music. Bill Frisell is about as far in that direction as I can bear.
After completing listening to the Hudson album, I retreated to "Soul Brothers" and once again marveled at its understated beauty, soul and mind-soothing magic, and sound quality. That seems to be where I live.
Admittedly, my sophistication, knowledge, and transcendence in the "Hudson-type" segment of jazz pales in comparison to some on this thread. ;)
Dave
Perhaps I hastily judged the title in question. I did listen to the rest of it and found some tracks to be very good (the tracks without the sonic pyrotechnics). Sound quality is excellent overall.
However, I notice that many "modern" jazz titles of late are using electronic grunge far too prevalently (for me), some of which are nearly devoid of what I know as music. Bill Frisell is about as far in that direction as I can bear.
After completing listening to the Hudson album, I retreated to "Soul Brothers" and once again marveled at its understated beauty, soul and mind-soothing magic, and sound quality. That seems to be where I live.
Admittedly, my sophistication, knowledge, and transcendence in the "Hudson-type" segment of jazz pales in comparison to some on this thread. ;)
Dave

