Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
To clarify one point re: adding subs. I actively cross my set up at 72hz - that number reflecting the smoothest FR I could manage thru the x-over region. I suspect that diverting those large excursion signals below 72hz away from the Ohm allows for a greater sense of macro-dynamics. The really long excursions are now executed by the Rythmik subs which handle the job better. Freed from that work, the Ohm can handle its job better, too. The increased bass extention into the bottom octave is less important to me, since it's so rarely present on any of the music that I listen to. Since Coot's a pipe organ guy, it may be more useful to him - provided he's got one (or more) of those rare recordings that actually provides the bottom end of the pipe to a system that can handle it.
Coot,

If it is the lowest notes of organ music that you are looking for, make sure your electronics, particularly pre-amp, is up to the task. I have found that to make the biggest difference with my OHMs over times.

My current ARC sp16 tube pre-amp is a wonderful sounding pre-amp, but not the most extended for low pipe organ notes. My old "mid-fi" Carver pre-amp was much better in that regard, but not in much else.

You might want to assess what you have currently in that regard and compare on paper to other options.

I would make sure that is covered first before doing anything else.

There may also be big differences in terms of low frequency response and distortion with source gear, particularly turntables and carts, more so than modern good quality digital.

At least that has been my experience with pre-amps and the OHMs with pipe organ music. Pipe organs aside, it does not matter nearly as much. If I listened to pipe organ music more often, I would be considering a different pre-amp I think, probably a very good SS one. It is good enough as is, but I have heard it can be much better, with my OHM 5s and in my room.

Pipe organs push the edge for low end extension versus pretty much anything else, so not just anything will do there anywhere in teh signal chain. Its not a huge consideration for many these days, so do not assume that just any gear is up to the task.
Marty,

I agree that adding a sub and offloading work from main speakers and amps significantly reduces what is demanded from both amp and speakers in most every case, not just OHM, and if done right can only be of benefit, if one chooses to go that way.

As I know you know, it's the "done right" part that is the challenge, but you more than most anyone here seem to have done your homework and found a good way to do it right.
In summary, I have heard where my OHM 5s in my room with the right gear in front of them can do an excellent job alone on the lowest notes of pipe organs, shaking hte rafters in the process. Top notch low end extension in source gear and enough power to go along with it are the keys.

Power demand increase exponentially at lower frequencies, so I would think 250W/ch or more for larger OHMs in a larger space to start to be where one would want for pipe organ notes that shake the rafters (as they should).

Damping factor of the amp is also significant for this. Higher damping might make bass tighter and more articulate, and lower damping will loosen things up more and help to get teh room vibrating.

My current setup is more towards the former than the latter these days.

But when I started out with my 5s off Carver m4.0t power amp (tube like sound, low damping) and matching Carver pre-amp, the rafters shook to the point where I would be concerned about things starting to fall off the walls and other similar problems.

Now its leaner and meaner, and not as loosely damped in the bass, but when I get things up to proper level for pipe organ and such, the lock key sitting on a narrow ledge nearby usually ends up on the floor still. And the sound is rock solid and clear, with no sign of breakup or distress EVER.

That is all with no subs in the picture.

Toss a couple of those in then get them set up right and you will likely take a nice shortcut to the place you seek.

So far, I have not felt the need, but do I do get the urge to try to push the limits from time to time....