Synergistic New Tesla Line...Any comments?

Tbg,
I know what you mean; I have learned a great deal regarding Acoustic ART placement from voicing our new design studio. Let me know what you think about the additional Magnetron placements (hopefully before the end of the month).

Tvad if you are planning a visit to the SR design studio it will have to wait untill early July as I am getting ready so sail a small boat from Hawaii to California.

Yours in music,
Ted Denney III
Lead Designer, Synergistic Research Inc.

Pomaika`i, Ted.

BTW, I'm still interested in learning the duration of the MiG the break-in period. I'd like to know I've heard the footers at their best before I make a decision about keeping them or returning them.

Tvad, these are very strange devices as it is hard to say why there is a breakin, but there certainly is. I have found that you can gently move them beneath components with little needed settling in. But if they are jared, they may take several hours. There placement under a component makes are great difference.

What I have recently noticed is that my initial preference for most being in the Ambience placement is now reversed. I have switched the phono and dac to pin-point placement.

I just had a visitor who was just incredulous at the sound. He said how is this done, adding that he has heard many expensive systems. He was here on other business and needed to get back to Dallas, so I did no a/b comparisons. As he left he was still babbling.

Ted, I suspect trial and error are the only way to see what works. True?

Tvad,
In addition to listening to your MiGs in pin-point vs ambient configurations, experiment with how close to the edge (of your components) you set them. After you find placement in relation to the edge of your components, as well as the configuration (pin-point vs ambient), give them a couple of days to settle in and you'll know.

Yours in music,
Ted Denney III
Lead Designer, Synergistic Research Inc.