Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Great high energy stuff. I am fortunate to have the two original lp’s that this "best of" compilation comes from; they were sent to me by a relative in Cuba. After years of practically prohibiting Jazz in state-sponsored musical groups, the Cuban govenrment decided to create an image, for propaganda reasons, that Cuba was a free and open society and created and funded what would become "Irakere".

**** Chucho barely gets a mention. What’s up with that? ****

This compilation was released in 1994. Both Paquito and Sandoval had already made well publicized defections from Cuba, were living in the USA and were well on their way to becoming stars. Chucho, the band’s leader and probably best musician of all, remained in Cuba. Less flamboyant as an entertainer then Paquito or Sandoval, it wasn’t until years later that he would become an international star with the Cuban government’s blessings.

I agree about the Mozart thingy. The "Mozart theme" is the Adagio (2nd mvt.) from the Mozart clarinet concerto. I like Paquito’s playing, but this is kinda tasteless playing; have always hated it.

The real thing:

https://m.youtube.com/watch?v=fFEt10lDo2s

***** After years of practically prohibiting Jazz in state-sponsored musical groups, the Cuban govenrment decided to create an image, for propaganda reasons, that Cuba was a free and open society and created and funded what would become "Irakere".  *****


 I always thought Communist regimes approved of Jazz.   I remember several big time bands toured in Eastern Europe and the Soviet Union during the cold war.   Of course we all remember the hype over  Soviet Premier Yuri Andropov, "a Jazz Lover", being a big Ellington fan.   I think it was all wishful thinking.

Cheers
"That was a time where jazz music was a four-letter word in Cuba – literally! After many years of that thought, in 1967, they decided to create the Orquesta [Cubana de Música Moderna]. There were a lot of left wing people going to Cuba, attending congresses and visiting. So the government decided to create an image that jazz was not forbidden and that nothing was forbidden there. So they created the Orquesta to play American music – that is incredible. It was to create a different image than what they had created all those years. So they created the Orquesta. I directed the band for two years. . . . When I decided that I wanted to play only jazz in the Orquesta, then I got fired . . . . and after a while, the Orquesta ceased to achieve the function that it was created for and it disappeared—D’Rivera 2011

What better symbol of freedom and individuality than jazz?