Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Rok, Miles don't play that; you liable to get a visitation tonight. That was his Aunt Corrine, not his Mama.

"Aunt Corrine had her office right next to my father's. There was a sign out front saying "Dr. Corrine, Reader, Healer" with an open palm facing the viewer. She told people's fortunes. She'd be in her office lighting candles and smoking them cigarettes behind clouds of smoke talking weird stuff. She must have thought I was weird, because as soon as I walked in her office she started lighting candles and smoking cigarettes. Ain't that a bitch; she thought I was weird."

For all you vinyl loving gear heads.   At least my room is bigger than his!!   And, we have the same chair. :)    Who wants Wilson speakers anyway.

https://www.youtube.com/watch?v=H07NpWk_Xf8


Cheers




A few days ago, I read an interesting interview with Goran Tomljenovic, Croatian designer of ultra-high-end loudspeakers and I found in the article some interesting facts that are in some way related to your debate about how different materials affect the sound quality of the saxophone. Goran’s speakers are interesting because they are in principle a horn loudspeaker which as main element uses an acoustic horn, as well as many brass and woodwind musical instruments (link: https://www.facebook.com/Ring-Audio-159138464215165/ ) Those speakers (Ring Audio’s Master Horn Jazz - MH Jazz to acquaintances) are very nice, but also very expensive and cost around 20 thousand US dollars.

Asked if the material was important for sound quality, Goran was very clear. He said that their horn loudspeakers are made of different materials - wood, composite materials, ceramics, ... but it does not matter to the sound quality at all.

Moreover, he emphasized that it is only important that the material from which the horn is made must be, so to speak, “ACOUSTICALLY DEAD”, i.e. for the material itself it is crucial that its resonant frequency is BELOW THE AUDIBLE LEVEL. Also, the material from which the horn is made, must not affect the resonance of the air INSIDE the horn channel.

The only thing that matters to acoustic horn is channel shape, high measuring accuracy, and great precision craftsmanship. This is quite opposite to the many other musical instrument. Usually, the instrument box (body of the instrument) must resonate so that we can hear something at all.

For example, the guitar string causes the soundboard (upper and lower plate) and sound box to vibrate, and they strengthen the vibrations of the strings and amplify sound. With the acoustic guitar, the choice of materials is crucial for the sound quality. For saxophone, the material is not important for the sound quality, this is more important for durability, playability, wear resistance, corrosion resistance, etc. And of course, for seller marketing tricks. Here I must quote Stephen Howard who wisely commented on another forum where there is a similar discussion of whether the material affects the sound quality of sax:

“After decades of comparing otherwise identical horns - the only difference being the body material - I’ve come to the conclusion that the answer to this thorny question is - Yes...but only if you’ve paid more for it". Same as with wine. If the price on the wine bottle is higher, people like it more. Even when all the bottles that they have tested, contain exactly the same wine.


Excellent and very informative post, mary_jo; thank you for that. As is usual with these issues I think that it’s important to remember that there are no absolutes and that the tendency is to go to extremes with the conclusions. This is what I mean, and for instance:

**** For saxophone, the material is not important for the sound quality, this is more important for durability, playability, wear resistance, corrosion resistance, etc. And of course, for seller marketing tricks. ****

That statement is true as concerns the impact that the material may have on the instrument’s ability to allow the player to express himself. An instrument that is well designed, as you point out, will allow that regardless of material used. The statement is not entirely true because there are, in fact, subtle sonic nuances that will manifest themselves as a result of the different materials used and these may be more or less important to a particular player. However, ultimately it is the execution of the design that matters most. Some pertinent examples:

Some of the most highly regarded flutes are the vintage Louis Lot flutes, many of which were made of nickel as opposed to silver or gold which has a lot more cache or “bling”. Beautifully executed design which yielded gorgeous tone.

On a saxophone the material used for the “ligature” which is the little mechanical device that holds the vibrating reed on the mouthpiece can have a significant effect on the response and sound of the instrument. Again, it is “close to the source” so it will have a significant effect. However, I doubt that when a player (Parker) is looking for money for his next fix that he is worried about the material used for his ligature. He would use tape or a shoestring if he had to.

Thanks again.